Dubstep veteran (if such a thing exists) flirts with industrial house. Martyn is not too happy about the way the music scene works. Ghost people are shadow dj-ing or something. In any case, this album is a great indicator of how dubstep and its various sub-genres are gravitating towards either house or techno. Martyn pulls it off beautifully. Fans of Zomby, 2562, and Untold: this is for you!
Try: 7, 4, 11, 3 FCC: Clean

1) 1:53 Spacey synths, stuttering narrated vocals. Something about humans and machines
2) 2:38 Pounding and industrial. Gets slightly more psychedelic towards the end.
3) 4:58 * Boom boom boom. Cascading synths and random hardware doing its thing. Spaced out piano house.
4) 4:56 * Mechanical narration on top of esoteric synthesizer flex
5) 5:38 Upbeat and 2-step-ish. Soft wobbly bassline and stingy synth
6) 1:08 Short interlude. Underwater noises and simple keys.
7) 4:32 * Stomping rhythm, insisting synth stabs. Nice. Groovy and melodic
8) 4:06 Melodic 2-step, cool vocal-synth work. More complex percussion.
9) 3:42 Mysterious. Pulsating and somewhat rushed synth beat
10) 4:04 It’s a snare party. Synths, keys, bass flying through the air.
11) 8:42 * Wait, it’s trance? Almost, at least. It’s also a pretty solid track to say the least. Somewhere between house, dubstep and trance.