Emika
General
| Oct 2011
Reviews
Rasmus Rygaard
Reviewed 2011-11-01
Reviewed 2011-11-01
Ballsy dark synth pop. Emika is part of the Berghain techno palace crew, except not really. This is her debut album out on Ninja Tune, and she mixes a healthy dose of those dark vibes with static and falsetto. There is a cool contrast throughout between Emika’s soft falsetto vocals and the booming drums, bass, and static in the background. Cool stuff. Fans of Hyetal, Zomby, and dark, moody (techno?) sounds should check this out.
Try: 11, 4, 3, 6, 10
FCC: Clean
1) 4:40 Starts out messy, looped. Transitions to dead-simple kick/snare pattern and seductive, manipulated vocals. Piano on outro.
2) 3:33 Twisted synths. Soft vocals on top of industrial reggae. Moody.
3) 3:48 * Tacit intro, very introverted feel. Understated production, solemn feel. Great drum and bass sounds on this one.
4) 4:27 * Heavy production. Static, messed up tremolo vocals. Greeeaaat synth sweeps.
5) 4:01 Backwards counting, electronic bleeps and blops with a guitar hidden somewhere behind the thick veil of static.
6) 4:40 * Dramatic pop song. Really cute, intricate vocals and a matching piano line.
7) 4:15 A heavy, synthetic piece. Lots of drive with occasional synth squeaks.
8) 4:45 Way over the top. The dark electronic diva feel is taken way beyond any point of reason.
9) 3:44 Aphex Twin-ish rushed static mess in stark contrast with Emika’s light falsetto.
10) 3:29 * Cool original production. Great piano sampling. Somewhat dubstep-inspired. That bass sound is deep! Again, great contrasts here.
11) 4:06 ** Surprisingly close to a piano pop song. Adds a whole bunch static, but keeps it sober. I could see this getting big with the cool kids.
12) 2:16 Dramatic piano outro. Time to roll the credits.
Try: 11, 4, 3, 6, 10
FCC: Clean
1) 4:40 Starts out messy, looped. Transitions to dead-simple kick/snare pattern and seductive, manipulated vocals. Piano on outro.
2) 3:33 Twisted synths. Soft vocals on top of industrial reggae. Moody.
3) 3:48 * Tacit intro, very introverted feel. Understated production, solemn feel. Great drum and bass sounds on this one.
4) 4:27 * Heavy production. Static, messed up tremolo vocals. Greeeaaat synth sweeps.
5) 4:01 Backwards counting, electronic bleeps and blops with a guitar hidden somewhere behind the thick veil of static.
6) 4:40 * Dramatic pop song. Really cute, intricate vocals and a matching piano line.
7) 4:15 A heavy, synthetic piece. Lots of drive with occasional synth squeaks.
8) 4:45 Way over the top. The dark electronic diva feel is taken way beyond any point of reason.
9) 3:44 Aphex Twin-ish rushed static mess in stark contrast with Emika’s light falsetto.
10) 3:29 * Cool original production. Great piano sampling. Somewhat dubstep-inspired. That bass sound is deep! Again, great contrasts here.
11) 4:06 ** Surprisingly close to a piano pop song. Adds a whole bunch static, but keeps it sober. I could see this getting big with the cool kids.
12) 2:16 Dramatic piano outro. Time to roll the credits.
Recent airplay
Credit Theme
There and Back Again — Dec 13, 2011
Fm Attention
Crooked Spoke Adjacent — Dec 11, 2011
Come Catch Me
lost and found — Dec 04, 2011
Fm Attention
Orangeasm All-Stars Special — Nov 29, 2011
Be My Guest
The Crooked Spoke Adjacent — Nov 20, 2011
Drop The Other
Panorama Barbeque — Nov 15, 2011
Charting
2011-10-30 — 2012-01-01
Electronic
| Week Ending | Airplays |
|---|---|
| Dec 18 | 2 |
| Dec 11 | 1 |
| Dec 4 | 1 |
| Nov 27 | 1 |
| Nov 20 | 3 |
| Nov 13 | 3 |
Track listing
| 1. | 3 Hours | ||
| 2. | Common Exchange | ||
| 3. | Professional Loving | ||
| 4. | Be My Guest | ||
| 5. | Count Backwards | ||
| 6. | Double Edge | ||
| 7. | Pretend | ||
| 8. | The Long Goodbye | ||
| 9. | Fm Attention | ||
| 10. | Drop The Other | ||
| 11. | Come Catch Me | ||
| 12. | Credit Theme |