| Someone Still Loves You Boris Yeltsin / Tape Club |
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| Album: | Tape Club | Collection: | General | |
| Artist: | Someone Still Loves You Boris Yeltsin | Added: | Nov 2011 | |
| Label: | Polyvinyl Record Co. | |||
| A-File Activity |
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| Add Date: | 2011-11-27 | Pull Date: | 2012-01-29 |
| Week Ending: | Jan 29 | Jan 1 | Dec 18 | Dec 4 |
| Airplays: | 2 | 1 | 2 | 2 |
Recent Airplay
| 1. | May 11, 2013: | Sphagna Rhianna Arcadia Sweet Owl | 4. | Apr 13, 2013: | New Haven New Mayhem Half-Awake (Deb) | |
| 2. | Apr 27, 2013: | Together, or Close Enough Cardinal Rules | 5. | Jan 27, 2012: | InAcrossAwayFromMe Spinning Sea | |
| 3. | Apr 20, 2013: | Double Helix Yellow Missing Signs | 6. | Jan 22, 2012: | Synthesis Yellow Missing Signs |
| Album Review |
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| Trent Kay Reviewed 2011-11-20 | ||
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A 26-track compilation of B-sides, demos, and other unreleased miscellany from an indie pop band out of Missouri. The result is a super-sweet, super stripped down collection you might well find on, duh-huh, a home tape. By turns heartbreakingly darling, exuberantly pop, little-kid punk, boppingly jangly, and backyard honest. In a lot of ways this reminds me of See You In Heaven (the Elliott Smith comp): the same achey sweetness, the same bare acoustic guitar sound, and the vocals, well -- the resemblance is all there. Sounds like summer camp. Or dandelions. Or something. RIYL: Wilco, The Shins, Elliott Smith, that unassuming skinny-boy indie band from your high school whose members all went their separate ways to eastern colleges and never played together again try: 5, 6, 8, 11, 18, 20, 23 (in no particular order) FCC: 14 1. (2:53) sad, quiet, slow. naked crystal solo electric, fragile male vox. mournful deep strings. ends with some kitchen sink noise. 2. (2:15) easy acoustic strum. pleasant beachy harmonies. 3. (2:03) demo quality. cute walky acoustic, very "rainbow connection". whispers of wilco. 4. (3:16) earnest yet eerie sticky acoustic and fragile falsetto. 'needle in the hay', etc. *5. (2:25) lazy yet bouyant sway, cool beat, clarinet. low harsh whispery vox. *6. (1:19) melancholy, harsh, sweet. doubled elliott-style harmonies. sticky acoustic, spare beamy electric. the end (which approaches, but does not complete, an FCC) is priceless. 7. (2:11) mid-slow island vibe. handclaps, claves, uke. melancholy melody. *8. (2:59) noisy yet sparse punkish rock that makes space for sweet vox. "i like my body with your body." the rhymes are sort of great. 9. (2:11) clear bright dual acoustic. rocking chair porch folk. no drums. 10. (2:38) lo-fi. mixed boy/girl vox. some kitchen sink percussion and acoustic knocks. *11. (2:18) jangly indie pop. boppy bass and sticky acoustic. happy, short and cute. 12. (3:02) hooky indie beat, intertwining melody electric. beachy harmonies. 13. (3:43) falsetto harmonies and sticky hard strummed/picked acoustic. handclaps. deep rich sound. 14. (4:50) FCC ("shit") dark and slinky syncopated groove mixes with sweet indie pop harmonies. oh, the lyrics. 15. (2:12) country camp. picked acoustic, handclaps. tight, tight recording. sort of sounds like a joke. "you're gonna lose me if you don't choose me." 16. (2:46) fastish pop rocker. jangle guitar, rudder guitar. sparse, happy, light. 17. (2:06) slowish staccato banjo, melody bass, tambourine. meandering, pleasant. *18. (2:24) celebratory punkish pop. harsh keys over rudder guitar. handclappy drum hits. loud and anthemic. see: the get up kids. 19. (3:03) muddy recording. lazy shuffling bass and what sounds like a clarinet. 'fixing a hole', etc. *20. (1:34) fast lo-fi punk lite, sparse hard snare and funny 'huh huh' callbacks. high-larious vocoder effects. brainiac goes twee. this is actually sort of marvellous. 21. (1:09) lullaby guitar and harsh falsetto over tape noise. 22. (2:28) crappy recording, harsh high vox, pops, clanging slow guitar. a great song, despite the dragging beat and sloppy execution. *23. (2:37) mid-slow electroclash. hi-reg vox and flutey synth. kinda adorable. "now i'm gonna tell you about missouri"? 24. (3:43) power pop. rapid circular picked guitar. quick light boppy beat. cute, pleasant, with some rockish elements. sounds like the secrets. 25. (4:58) low-frequency noise under slow sweet acoustic. lazy sway strummed electric + drums midway in. no hurry here. 26. (3:11) lo-fi harsher. messy ominous bass, fuzzy power chords, aggressive falsetto that melts into the noise. | ||
| Track Listing |
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