Liftoff / Sunday Morning Airplay
| Album: | Sunday Morning Airplay | Collection: | General | |
| Artist: | Liftoff | Added: | Feb 2012 | |
| Label: | Fort Knox Recordings | |||
A-File Activity
| Add Date: | 2012-03-10 | Pull Date: | 2012-05-12 |
|---|
| Week Ending: | Apr 29 | Apr 15 | Apr 1 | Mar 25 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 2 | 1 |
Recent Airplay
| 1. | Apr 26, 2012: | The Fall of Math
Marshmeadows |
4. | Mar 28, 2012: | meow
Autumn |
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| 2. | Apr 12, 2012: | The Fall of Math
The Morning |
5. | Mar 23, 2012: | meow
Summer's Shown |
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| 3. | Mar 28, 2012: | Daytime Maximum Entropy
Autumn |
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Album Review
Sunshine
Reviewed 2012-03-08
Reviewed 2012-03-08
LIFTOFF: "Sunday Morning Airplay" -- Array of moods and sounds. Synthy and drummy with some vocals. Travels through time, em, Emulating Old School, and pioneering new vibes. Personal Faves: 1, 4, 8, 5, 3, 10, 11, 12. -- Sunshine March 2012
***** 1) AUTUMN -- High-pitched rhythmic synths, joined by drums . . . Kind of swirly. Then deeper bass sounds. Strings add to the collage. Almost Middle-Eastern feeling. Cool Instrumental.
*** 2) SUMMER'S SHOWN - Big kettle drum, guitar strumming. Marching. Folksy, harmonic vocals. Similar to Crosby, Stills and Nash. King of dreamy.
**** 3) OFF YER FEET -- Great rhythmic beatz! Then gets "beachy". Soft male vocals.
***** 4) SHINE -- Twangy beat ascends . . . into hippie rock'n'roll feel. Violin?! Haight-Ashbury acid tune a la Jefferson Airplane's White Bird.
**** 5) HIGH SIS -- Traveling -- airport or train depot. Horns calling with sizzling cymbals. Ethereal. Interesting use of sound effects.Steady beatz.
*** 6) EMILY MARY ALICE KATHERINE -- Almost Marvin Gaye "Sexual healing" opening. Then strummy guitars and flute. Prosaic, folksy male vocals, a la Neil Young. Shakers.
*** 7) KOOL IT MAN -- Noisy hodge-podge opening . . . Plodding drums. Repetitive riff. Then symphonic with rapid-fire drum machine. Tinkly background effect under crashing beatz. Potpourri of sounds, moods. Interesting . Essentially Instrumental.
**** 8) THE MORNING -- Dischordant strings at start . . . Footsteps. Water? Ethereal mood evolves into Spring. Transcends into groove step. Cool vibe., Instrumental.
*** 9) NOTHING IS SOMETHING -- Deep, bass drone. Slow, ploddish into more CSN harmonic vocals. Coming in from the fog. Kind of cool dynamic.
****10) RIGHT ON TRACK -- Swirlly engine start . . . almost Dramatics' "What You See Is What You Get" . . . Very short Instrumental track.
**** 11) MARSHMEADOWS -- Almost abbreviated car horn sound effects. . . . Then amusement park caliope. Interesting beatz over swirly synths. Instrumental.
**** 12) FEATHERED UP -- Calm, sunset vibe. Piano/keyz feeling. Birds overhead. Restful end of day. Reflective. Introspective. Sit back and relax.Sexy. Ahhhhh. Instrumental.
*** 13) SONG FOR SHARON -- Etheral swirly start . . . End of day. Sun has set strings. High-pitched male vocals. Plucky guitar.
***** 1) AUTUMN -- High-pitched rhythmic synths, joined by drums . . . Kind of swirly. Then deeper bass sounds. Strings add to the collage. Almost Middle-Eastern feeling. Cool Instrumental.
*** 2) SUMMER'S SHOWN - Big kettle drum, guitar strumming. Marching. Folksy, harmonic vocals. Similar to Crosby, Stills and Nash. King of dreamy.
**** 3) OFF YER FEET -- Great rhythmic beatz! Then gets "beachy". Soft male vocals.
***** 4) SHINE -- Twangy beat ascends . . . into hippie rock'n'roll feel. Violin?! Haight-Ashbury acid tune a la Jefferson Airplane's White Bird.
**** 5) HIGH SIS -- Traveling -- airport or train depot. Horns calling with sizzling cymbals. Ethereal. Interesting use of sound effects.Steady beatz.
*** 6) EMILY MARY ALICE KATHERINE -- Almost Marvin Gaye "Sexual healing" opening. Then strummy guitars and flute. Prosaic, folksy male vocals, a la Neil Young. Shakers.
*** 7) KOOL IT MAN -- Noisy hodge-podge opening . . . Plodding drums. Repetitive riff. Then symphonic with rapid-fire drum machine. Tinkly background effect under crashing beatz. Potpourri of sounds, moods. Interesting . Essentially Instrumental.
**** 8) THE MORNING -- Dischordant strings at start . . . Footsteps. Water? Ethereal mood evolves into Spring. Transcends into groove step. Cool vibe., Instrumental.
*** 9) NOTHING IS SOMETHING -- Deep, bass drone. Slow, ploddish into more CSN harmonic vocals. Coming in from the fog. Kind of cool dynamic.
****10) RIGHT ON TRACK -- Swirlly engine start . . . almost Dramatics' "What You See Is What You Get" . . . Very short Instrumental track.
**** 11) MARSHMEADOWS -- Almost abbreviated car horn sound effects. . . . Then amusement park caliope. Interesting beatz over swirly synths. Instrumental.
**** 12) FEATHERED UP -- Calm, sunset vibe. Piano/keyz feeling. Birds overhead. Restful end of day. Reflective. Introspective. Sit back and relax.Sexy. Ahhhhh. Instrumental.
*** 13) SONG FOR SHARON -- Etheral swirly start . . . End of day. Sun has set strings. High-pitched male vocals. Plucky guitar.
Track Listing
| 1. | Autumn | 7. | Kool It Man | |||
| 2. | Summer's Shown | 8. | The Morning | |||
| 3. | Off Yer Feet | 9. | Nothing Is Something | |||
| 4. | Shine | 10. | Right On Track | |||
| 5. | High Sis | 11. | Marshmeadows | |||
| 6. | Emilymaryalicekatherine | 12. | Feathered Up | |||
| 13. | Song For Sharon | |||||