Halvorson, Mary Quintet / Bending Bridges
| Album: | Bending Bridges | Collection: | Jazz | |
| Artist: | Halvorson, Mary Quintet | Added: | Jun 2012 | |
| Label: | Firehouse 12 | |||
A-File Activity
| Add Date: | 2012-06-30 | Pull Date: | 2012-09-02 | Charts: | Jazz |
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| Week Ending: | Sep 2 | Aug 26 | Aug 12 | Aug 5 | Jul 29 | Jul 22 | Jul 15 | Jul 8 |
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| Airplays: | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 1 |
Recent Airplay
| 1. | May 20, 2016: | Rebop
Sea Cut Like Snow (No. 26) |
4. | Aug 28, 2012: | Rebop
The Periphery Of Scandal (No. 23), Love In Eight Colors (No. 21) |
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| 2. | Aug 15, 2014: | Rebop
All The Clocks (No. 29) |
5. | Aug 24, 2012: | No Cover, No Minimum
All The Clocks (No. 29) |
|
| 3. | Sep 01, 2012: | Feral Jazz/Pop Frenzy
Hemorrhaging Smiles (No. 25) |
6. | Aug 21, 2012: | Rebop
All The Clocks (No. 29) |
Album Review
Fo
Reviewed 2012-06-15
Reviewed 2012-06-15
MARY HALVORSON QUINTET: Bending Bridges
Firehouse 12, 2012
Mary Halvorson : guitar
Jonathan Finlayson : trumpet
Jon Irabagon : alto sax
John Hébert : bass
Ches Smith : drums
AVANT-JAZZ – Nobody else sounds like guitarist Mary Halvorson: loose and angular, her stinging, wobbly chords can slice you up or make you think, running amok like a berserk robot or oozing slowly through oblique melodies. This is her second CD leading a quintet, top improvisers all, and its full of surreal vistas, rock-ish aggression, and loud, surprising twists. Very unusual, highly compelling music.
Try any. Fo’s Picks: 2, 4, 5, 7, 9
1. 7:48 – slow trudge: guitar slithers; open bass solo, then a loud rock freakout
2. 7:59 – friendly start; solos stretch & flip over oddball rhythms, briefly shreds
3. 8:03 – thumping theme slips into shimmering shards, then bustling improv
4. 10:15 – quintet march, solo trumpet & dialogue with guitar, happy middle breaks down in sax/guitar weirdness, drum solo realigns it
5. 7:50 – guitar navigates lopsided rhythm, busy bass, 2nd half raw & noisy
6. 4:48 – moody trio: calm strange guitar, heavy bass, open drums, gets jangly
7. 6:52 – tight but detached quintet, gets rolling under horn solos, space guitar
8. 7:09 – goofy pounding theme drifts into speedy sci-fi improv, long drum solo
9. 7:48 – guitar intro, spinning groove slips off axis, strong semi-melodic solos
[ Fo ] - June 2012
Firehouse 12, 2012
Mary Halvorson : guitar
Jonathan Finlayson : trumpet
Jon Irabagon : alto sax
John Hébert : bass
Ches Smith : drums
AVANT-JAZZ – Nobody else sounds like guitarist Mary Halvorson: loose and angular, her stinging, wobbly chords can slice you up or make you think, running amok like a berserk robot or oozing slowly through oblique melodies. This is her second CD leading a quintet, top improvisers all, and its full of surreal vistas, rock-ish aggression, and loud, surprising twists. Very unusual, highly compelling music.
Try any. Fo’s Picks: 2, 4, 5, 7, 9
1. 7:48 – slow trudge: guitar slithers; open bass solo, then a loud rock freakout
2. 7:59 – friendly start; solos stretch & flip over oddball rhythms, briefly shreds
3. 8:03 – thumping theme slips into shimmering shards, then bustling improv
4. 10:15 – quintet march, solo trumpet & dialogue with guitar, happy middle breaks down in sax/guitar weirdness, drum solo realigns it
5. 7:50 – guitar navigates lopsided rhythm, busy bass, 2nd half raw & noisy
6. 4:48 – moody trio: calm strange guitar, heavy bass, open drums, gets jangly
7. 6:52 – tight but detached quintet, gets rolling under horn solos, space guitar
8. 7:09 – goofy pounding theme drifts into speedy sci-fi improv, long drum solo
9. 7:48 – guitar intro, spinning groove slips off axis, strong semi-melodic solos
[ Fo ] - June 2012
Track Listing