Isecite Bolivijskim Patuljanima Usi

This is dense, dirty, slow music, like molasses moving downhill. Repetitive vocals, repetitive percussion, repetitive everything, all in Croatian, which is cool. The best word to describe this music is thick. The production value is low—it sounds like it was recorded in a garage—but that I wouldn’t say that’s a bad thing for this kind of music. Some of the tracks feel a bit monotonous, but check out 3, 11, and 14. 3 in particular is cool. FCC safe.

1) (2:01) Chorus repeated ad infinitum.
2) (4:09) Jumps between a slinky rhythm and a guitar countermelody that presses forward quickly.
3) ** (3:08) Churning bass, shrieking guitars. Grinds to a halt at the end, which is sort of cool.
4) (2:31) Livens up around 1:46 mark, when some guitars swoop in from above.
5) (3:32) Vocalist screams a little bit, which is cool.
6) (2:50) Heavy as usual, but with an interesting chorus.
7) (1:57) A bit more manic, high-tension, and the vocalist chants a bit more.
8) (3:51) Vocalist drops off and drums take over.
9) (2:47) Heavy bass guitar and chant.
10) (2:18) Lots of reverb, more bass.
11) (3:52) * Vocalist sings alone for a little while. The most complex track on the album.
12) (3:09) Repetitive guitar countermelody.
13) (3:55) More repetitive guitars.
14) * (4:13) Churning bass, and the guitar is more playful than usual. Interesting progression on this track. Almost a classic rock feel at the beginning.

--Mr. Tumnus