Barwick, Julianna / Will
Album: | Will | Collection: | General | |
Artist: | Barwick, Julianna | Added: | May 2016 | |
Label: | Dead Oceans |
A-File Activity
Add Date: | 2016-05-16 | Pull Date: | 2016-07-17 |
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Week Ending: | Jul 17 | Jul 10 | Jun 12 | Jun 5 | May 29 | May 22 |
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Airplays: | 1 | 3 | 3 | 4 | 5 | 3 |
Recent Airplay
1. | Jul 18, 2024: | Phone Scam
Nebula |
4. | Jul 29, 2016: | Life Aquatic
See, Know |
|
2. | Aug 12, 2017: | night tapes 13
Nebula |
5. | Jul 14, 2016: | a strange pursuit
See, Know |
|
3. | Jun 14, 2017: | Reckless Burning
See, Know |
6. | Jul 09, 2016: | Music Casserole
See, Know |
Album Review
iota
Reviewed 2016-05-12
Reviewed 2016-05-12
meditative layered and looped vocals with minimal droney cello, discordant piano, or droney synth. another good one from goddess julianna barwick. it didn’t always take me to a magic place but it has some great moments and features some new things like cello, occasional male vocal accompaniment and lyrics you can listen for. i think it is more pessimistic than her previous two releases. number 2 is the one i will return to the most.
-iota
track 1 (2:14) – haunting vocals set the tone for the record, beautiful cello in the last minute, ends too soon
***track 2 (5:35) – pulsating synth throughout, strong bass adds volume, beautiful drone vocals, feels like driving at night through fog
track 3 (4:09) – vocals drone over piano, some cello about 2 minutes in
track 4 (4:56) – synth drone comes on strong, male/female vocals two minutes in
track 5 (2:41) – noisy, less refined, and claustrophobic. ends abruptly
*track 6 (5:30) – a steady tone crescendos until female and male vocal loops multiply and piano is introduced along with bass. then everything subtracted until its just the bass
*track 7 (3:58) – sparse, interesting piano, vocals and cello come in after a minute
*track 8 (4:41) – comes on strong with thick layered vocals and keeps layering. male vocals half way through
**track 9 (5:04) – bladerunner! bleep bloop, organic percussion, distinguishable lyrics
-iota
track 1 (2:14) – haunting vocals set the tone for the record, beautiful cello in the last minute, ends too soon
***track 2 (5:35) – pulsating synth throughout, strong bass adds volume, beautiful drone vocals, feels like driving at night through fog
track 3 (4:09) – vocals drone over piano, some cello about 2 minutes in
track 4 (4:56) – synth drone comes on strong, male/female vocals two minutes in
track 5 (2:41) – noisy, less refined, and claustrophobic. ends abruptly
*track 6 (5:30) – a steady tone crescendos until female and male vocal loops multiply and piano is introduced along with bass. then everything subtracted until its just the bass
*track 7 (3:58) – sparse, interesting piano, vocals and cello come in after a minute
*track 8 (4:41) – comes on strong with thick layered vocals and keeps layering. male vocals half way through
**track 9 (5:04) – bladerunner! bleep bloop, organic percussion, distinguishable lyrics
Track Listing
1. | St. Apolonia | 6. | Big Hollow | |||
2. | Nebula | 7. | Heading Home | |||
3. | Beached | 8. | Someway | |||
4. | Same | 9. | See, Know | |||
5. | Wist | . |