Soares, Elza / Woman At The End Of The World, The
| Album: | Woman At The End Of The World, The | Collection: | World | |
| Artist: | Soares, Elza | Added: | Jun 2016 | |
| Label: | Mais Um Discos | |||
A-File Activity
| Add Date: | 2016-06-06 | Pull Date: | 2016-08-08 | Charts: | Reggae/World |
|---|
| Week Ending: | Aug 7 | Jul 31 | Jul 24 | Jul 10 | Jul 3 | Jun 26 | Jun 19 | Jun 12 |
|---|---|---|---|---|---|---|---|---|
| Airplays: | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 1 |
Recent Airplay
| 1. | Jan 25, 2018: | Melange
Mulher Do Fim Do Mundo |
4. | Aug 06, 2016: | Music Casserole
Firmeza?! |
|
| 2. | Aug 10, 2016: | In The Year One Thousand, Eight Thousand: Miercoles Me Va Bien
Mulher Do Fim Do Mundo |
5. | Jul 28, 2016: | Melange
Mulher Do Fim Do Mundo |
|
| 3. | Aug 10, 2016: | Laptop Radio
Coracao Do Mar |
6. | Jul 28, 2016: | In The Year One Thousand, Eight Thousand: Jueves Me Va Bien
Luz Vermelha |
Album Review
Margy Kahn
Reviewed 2016-06-01
Reviewed 2016-06-01
Elza Soares – “Septuagenarian Brazilian music icon” teams up with Sao Paulo's avant garde musicians; the dark, not pretty, underbelly of Brazilian culture exposed
NO FCC's; Favorite tracks: 2,10
1-(1:27) – “Coracao Do Mar” --Intro– a capella; – rough compelling voice
*2-(4:37) – “The Woman at the End of the World” – interesting synths and texture, but you can still hear the lyrics! (unfortunately they are in Portuguese) – carnival as a metaphor for the apocalypse-- a street singer for sure, a la Piaf – uvular trill to rival Roy Orbison's
3-(3:44) – electronic and synth effects with The Voice – samba as hip hop
4-(4:31) – bass figure leads off; rock strands; synth background; Elza's insistent voice; compelling
5-(3:56) - “Pra Fuder”-- lots of interesting sound effects backing The Voice
6-(5:05) – “Beneditas,” – slightly lower key vocally; lots of drumwork and high-pitched synth; male-female dialogue; wild
7-(3:32) --”Firmeza” – starts out quiet, heats up; male-female hiphop dialogue, horns, cool cut-out end
8-(3:34) – “Danca” – heavy duty dance rhythm, but loud with words and heavy synth; steep drop-off
9-(3:07) --”O Canal” – waltz rhythm a respite from the intense 4/4
*10-(3:41) --”Solto” – sweeter string sound segues to softer voice and modulations
11-(2:17) – “Comigo” – starts with unsettling synth sounds like airplanes; abrupt stop & a capella
NO FCC's; Favorite tracks: 2,10
1-(1:27) – “Coracao Do Mar” --Intro– a capella; – rough compelling voice
*2-(4:37) – “The Woman at the End of the World” – interesting synths and texture, but you can still hear the lyrics! (unfortunately they are in Portuguese) – carnival as a metaphor for the apocalypse-- a street singer for sure, a la Piaf – uvular trill to rival Roy Orbison's
3-(3:44) – electronic and synth effects with The Voice – samba as hip hop
4-(4:31) – bass figure leads off; rock strands; synth background; Elza's insistent voice; compelling
5-(3:56) - “Pra Fuder”-- lots of interesting sound effects backing The Voice
6-(5:05) – “Beneditas,” – slightly lower key vocally; lots of drumwork and high-pitched synth; male-female dialogue; wild
7-(3:32) --”Firmeza” – starts out quiet, heats up; male-female hiphop dialogue, horns, cool cut-out end
8-(3:34) – “Danca” – heavy duty dance rhythm, but loud with words and heavy synth; steep drop-off
9-(3:07) --”O Canal” – waltz rhythm a respite from the intense 4/4
*10-(3:41) --”Solto” – sweeter string sound segues to softer voice and modulations
11-(2:17) – “Comigo” – starts with unsettling synth sounds like airplanes; abrupt stop & a capella
Track Listing
| 1. | Coracao Do Mar | 7. | Firmeza?! | |||
| 2. | Mulher Do Fim Do Mundo | 8. | Danca | |||
| 3. | Maria Da Vila Matilde | 9. | O Canal | |||
| 4. | Luz Vermelha | 10. | Solto | |||
| 5. | Pra Fuder | 11. | Comigo | |||
| 6. | Benedita | . |