Alex G / Dsu
Album: | Dsu | Collection: | General | |
Artist: | Alex G | Added: | Sep 2016 | |
Label: | Orchid Tapes |
A-File Activity
Add Date: | 2016-09-25 | Pull Date: | 2016-11-27 |
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Week Ending: | Nov 27 | Nov 13 | Nov 6 | Oct 30 | Oct 23 | Oct 16 | Oct 9 | Oct 2 |
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Airplays: | 1 | 1 | 1 | 3 | 2 | 3 | 2 | 2 |
Recent Airplay
1. | Nov 10, 2021: | regular school (rebroadcast from Dec 3, 2018)
Hollow |
4. | Dec 03, 2018: | regular school
Hollow |
|
2. | Aug 30, 2021: | regular school (rebroadcast from Dec 3, 2018)
Hollow |
5. | Oct 08, 2018: | regular school
After Ur Gone |
|
3. | Apr 24, 2019: | nearby galaxies
After Ur Gone |
6. | Feb 15, 2018: | veggie tales
Boy |
Album Review
DJ Aporia
Reviewed 2016-09-22
Reviewed 2016-09-22
Reissue of Alex G aka Spicy Boy’s first album on Orchid Tapes. DSU is short for Dream State University. This is “lo-fi indie” with strong influences from Pavement, Elliott Smith, and Youth Lagoon. There’s wobbly acoustic and electric guitars, feedback, keys, subtle percussion, and mumbled vox with a comforting sense of emo. Wonderfully unpretentious. Every song finds a way to sneak into your head without warning. FCC: 10
1. (2:21) ** After Ur Gone—Ringing, loud guitars, sweet mumbling double-tracked vox
2. (3:46) ** Serpent is Lord—Guitar noodling then layers of guitars and some feedback, Built to Spill
3. (1:40) Harvey—Rousing ode to friendship
4. (1:52) Rejoyce—Pitched-up drowned-out vox, guitars, minimal oddball weird in last minute
5. (2:44) **** Black Hair—Feedback to start, acoustic guitars and keys, feedback weaves through occasionally again... I love this endlessly
6. (1:26) ** Skipper—Lush strumming, floaty vox
7. (1:47) Axesteel—Loud, angsty, screamy sounds, listless sad vox, very lo-fi
8. (2:43) ** Sorry—Acoustic guitars, synths, regret, more prominent vox. Super similar to Beach Music, his most recent album
9. (3:32) ** Promise—Woah! Big change here. Bluesy guitar noodling, stomps, airy keys, awesome groove
10. (2:51) Icehead—FCC. Weird pitch-shifted vox, guitars, hollow beat, so incredibly emo
11. (4:04) Hollow—Starts out kind of folky then builds in those nice enveloping Elliott Smith flairs, intense feedback eventually builds
12. (0:42) Tripper—Messing around on piano
13. (3:11) *** Boy—Piano and acoustic guitars, intense. “I am not the boy you knew.”
14. (1:40) Soak (Bonus Track)—Lo-fi acoustic guitar and vox, simple
15. (3:30) Waiting for You (Bonus Track)—All instrumental piano and sax, mournful
1. (2:21) ** After Ur Gone—Ringing, loud guitars, sweet mumbling double-tracked vox
2. (3:46) ** Serpent is Lord—Guitar noodling then layers of guitars and some feedback, Built to Spill
3. (1:40) Harvey—Rousing ode to friendship
4. (1:52) Rejoyce—Pitched-up drowned-out vox, guitars, minimal oddball weird in last minute
5. (2:44) **** Black Hair—Feedback to start, acoustic guitars and keys, feedback weaves through occasionally again... I love this endlessly
6. (1:26) ** Skipper—Lush strumming, floaty vox
7. (1:47) Axesteel—Loud, angsty, screamy sounds, listless sad vox, very lo-fi
8. (2:43) ** Sorry—Acoustic guitars, synths, regret, more prominent vox. Super similar to Beach Music, his most recent album
9. (3:32) ** Promise—Woah! Big change here. Bluesy guitar noodling, stomps, airy keys, awesome groove
10. (2:51) Icehead—FCC. Weird pitch-shifted vox, guitars, hollow beat, so incredibly emo
11. (4:04) Hollow—Starts out kind of folky then builds in those nice enveloping Elliott Smith flairs, intense feedback eventually builds
12. (0:42) Tripper—Messing around on piano
13. (3:11) *** Boy—Piano and acoustic guitars, intense. “I am not the boy you knew.”
14. (1:40) Soak (Bonus Track)—Lo-fi acoustic guitar and vox, simple
15. (3:30) Waiting for You (Bonus Track)—All instrumental piano and sax, mournful
Track Listing
1. | After Ur Gone | 9. | Promise | |||
2. | Serpent Is Lord | 10. | Icehead | |||
3. | Harvey | 11. | Hollow | |||
4. | Rejoyce | 12. | Tripper | |||
5. | Black Hair | 13. | Boy | |||
6. | Skipper | 14. | Soak (Bonus Track) | |||
7. | Axesteel | 15. | Waiting For You (Bonus Track) | |||
8. | Sorry | . |