Black Bombaim & Peter Brötzmann / Black Bombaim & Peter Brötzmann
| Album: | Black Bombaim & Peter Brötzmann | Collection: | General | |
| Artist: | Black Bombaim & Peter Brötzmann | Added: | Jan 2017 | |
| Label: | Shhpuma | |||
A-File Activity
| Add Date: | 2017-01-10 | Pull Date: | 2017-03-14 | Charts: | Loud |
|---|
| Week Ending: | Mar 12 | Mar 5 | Feb 26 | Feb 19 | Feb 12 | Feb 5 | Jan 29 | Jan 22 |
|---|---|---|---|---|---|---|---|---|
| Airplays: | 1 | 4 | 1 | 1 | 4 | 1 | 4 | 4 |
Recent Airplay
| 1. | Jan 13, 2022: | Reckless Burning (rebroadcast from Feb 18, 2017)
Part II / Part III |
4. | Jun 10, 2017: | Reckless Burning
Part I |
|
| 2. | Sep 06, 2021: | Being as an ocean (rebroadcast from Oct 3, 2019)
Part Ii, Part I |
5. | May 27, 2017: | Ode to Year Two
Part Iv |
|
| 3. | Oct 03, 2019: | Being as an ocean
Part Ii, Part I |
6. | Mar 08, 2017: | Brownian Motion
Part V |
Album Review
DJ Aporia
Reviewed 2017-01-09
Reviewed 2017-01-09
Psych rock extraordinaire. Peter Brötzmann is a prominent name in free jazz, and here he plays saxophone with the heavy psych rock of Black Bombaim, a band from Portugal. Thrilling guitars and bass wrestle with saxophone in a relentless wall of sound that borders on sensory overload. All tracks mindblowingly great. Recommended if you like The Psychic Paramount, Black Sabbath, the sensation of your brain melting.
1. (13:04) Part I—Three minutes of freewheeling saxophone give way to a thunderous psych rock epic. Very intense for the most part but catches its breath a few times towards the end.
2. (8:37) Part II—Gets things cooking right away with monstrous guitars and driving bass. Dense, melodic, transcendent.
3. (11:32) Part III—Echoes of heavy metal. More plodding and restrained, allowing the saxophone to dominate at times. Brötzmann at his rawest and most desperate on the record.
4. (7:04) Part IV—Opens with an imposing bassline that mutates throughout. Gradually intensifies the guitars, drums, and general noise. Saxophone gets the last word.
5. (6:59) Part V—Ominous guitars and bass turn into an apocalyptic grinder of a track.
1. (13:04) Part I—Three minutes of freewheeling saxophone give way to a thunderous psych rock epic. Very intense for the most part but catches its breath a few times towards the end.
2. (8:37) Part II—Gets things cooking right away with monstrous guitars and driving bass. Dense, melodic, transcendent.
3. (11:32) Part III—Echoes of heavy metal. More plodding and restrained, allowing the saxophone to dominate at times. Brötzmann at his rawest and most desperate on the record.
4. (7:04) Part IV—Opens with an imposing bassline that mutates throughout. Gradually intensifies the guitars, drums, and general noise. Saxophone gets the last word.
5. (6:59) Part V—Ominous guitars and bass turn into an apocalyptic grinder of a track.
Track Listing
| 1. | Part I | 4. | Part Iv | |||
| 2. | Part Ii | 5. | Part V | |||
| 3. | Part Iii | . |