Dub Syndicate / Murder Tone
Album: | Murder Tone | Collection: | Reggae | |
Artist: | Dub Syndicate | Added: | Apr 2003 | |
Label: | On-U Sound (Usa) |
A-File Activity
Add Date: | 2003-08-18 | Pull Date: | 2003-10-20 | Charts: | Reggae/World |
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Week Ending: | Oct 26 | Oct 19 | Sep 7 | Aug 31 |
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Airplays: | 1 | 2 | 2 | 1 |
Recent Airplay
1. | Sep 24, 2011: | New World Disorder
Night Train |
4. | Nov 30, 2005: | BubbaDubba
Radics |
|
2. | Jun 12, 2010: | New World Disorder
Backward Never |
5. | Oct 20, 2003: | told ya so!
African Landing |
|
3. | Feb 15, 2006: | The Dub Space
Reggae Raga |
6. | Oct 15, 2003: | press and release
Let the Spirit Rise, African Landing |
Album Review
Gabe
Reviewed 2003-08-18
Reviewed 2003-08-18
Mostly instrumental reggae-based dub. This material was recorded near Dub Syndicate’s heyday in the early 90s, though held back until now. There are some interesting touches on tracks featuring Bim Sherman’s voice and Talvin Singh’s Indian accents, not to mention the appearance of Lee Perry. Aside from these, the tracks are solid grooves with the dub chamber barrel of effects liberally applied and vocal samples sprinkled on top.
1. Solid groove
2. Bim Sherman’s clear and beautiful voice bounces in and out
3. Straight-ahead dub groove with the occasional recited vocal line
4. The indisputable highlight of this set – exactly what the title states – Reggae Raga; a mellow but space-y rhythm juxtaposed against a tanpura drone and swooping violin lines
5. Chukka-chukka
6. Sort of a happy-time tune
7. “Power, the REAL power … power … power” recited over massive bassline; “real power” is what that bass amp is consuming, dude
8. Pleasantly bouncy piano chords, lyrics about getting a proper education (i.e., an unofficial one)
9. Polite version of a song that has had much heavier treatments
10. Siren-like buzzing; still a bit polite
11. Flute(like) and bassline
12. Gilligan’s Dub Island?
13. Bit of tabla and phased trumpet but not really that interesting
14. Mighty chord progressions and shrill (but not overpowering) guitar noise
15. Sweet saxophone and melodica – a tribute to Augustus Pablo
16. Cheesy keyboard plinking but despite that, it’s sort of a pleasant tune
17. Lovely bass hook underneath the ethereal flute
1. Solid groove
2. Bim Sherman’s clear and beautiful voice bounces in and out
3. Straight-ahead dub groove with the occasional recited vocal line
4. The indisputable highlight of this set – exactly what the title states – Reggae Raga; a mellow but space-y rhythm juxtaposed against a tanpura drone and swooping violin lines
5. Chukka-chukka
6. Sort of a happy-time tune
7. “Power, the REAL power … power … power” recited over massive bassline; “real power” is what that bass amp is consuming, dude
8. Pleasantly bouncy piano chords, lyrics about getting a proper education (i.e., an unofficial one)
9. Polite version of a song that has had much heavier treatments
10. Siren-like buzzing; still a bit polite
11. Flute(like) and bassline
12. Gilligan’s Dub Island?
13. Bit of tabla and phased trumpet but not really that interesting
14. Mighty chord progressions and shrill (but not overpowering) guitar noise
15. Sweet saxophone and melodica – a tribute to Augustus Pablo
16. Cheesy keyboard plinking but despite that, it’s sort of a pleasant tune
17. Lovely bass hook underneath the ethereal flute
Track Listing
1. | African Landing | 10. | Dub Violation | |||
2. | Red Sea Version | 11. | Backward Never | |||
3. | Let the Spirit Rise | 12. | Fucious | |||
4. | Reggae Raga | 13. | Bazooke | |||
5. | The Precinct of Sound | 14. | Tremolo Dub | |||
6. | Empires Falling | 15. | Radics | |||
7. | The Real Power | 16. | Shorty | |||
8. | Lack of Education | 17. | Without Reservation | |||
9. | Night Train | . |