Pink Anvil / Halloween Party
| Album: | Halloween Party | Collection: | General | |
| Artist: | Pink Anvil | Added: | Jun 2003 | |
| Label: | Ipecac Records | |||
A-File Activity
| Add Date: | 2003-08-04 | Pull Date: | 2003-10-06 |
|---|
| Week Ending: | Sep 7 | Aug 31 | Aug 17 | Aug 10 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 4 | 1 |
Recent Airplay
| 1. | Jul 07, 2014: | Buford J. Sharkley Presents: As Told to Hervey Okkles
Rubber Suit, PT2 |
4. | Oct 28, 2004: | Multiple Personality Disorder
Rubber Suit |
|
| 2. | Oct 31, 2013: | The Songsmith Show
'cause I Told You So |
5. | Oct 07, 2003: | The Digital/Analog War
Rubber Suit, PT2 |
|
| 3. | Jan 13, 2010: | Lost Verses
Desert |
6. | Sep 02, 2003: | Happy Hour
Rubber Suit |
Album Review
Benjie
Reviewed 2003-07-16
Reviewed 2003-07-16
As the title suggests, this is spooky ambient cackling soundscape stuff. There's some pretty heavy, bad-trip-inducing scariness here... This cd plays well on continuous. Check out 1, 7, 9.
*1. Nice spooky ambience
2. Heavier
3. Cool evil dark vocal wandering
4. Less evil, more sad
5. Heavily distorted evil factory noises
6. More beat, sillier vocals (from an old scientific machine's
audio manual?)
*7. "What are you waiting for? You must do it now!"
8. This wall o' noise don't brake for nobody
*9. Sunrise vs. the witching hour
10. Heavy industry
11. Noise into broken, echoey vocal samples
*1. Nice spooky ambience
2. Heavier
3. Cool evil dark vocal wandering
4. Less evil, more sad
5. Heavily distorted evil factory noises
6. More beat, sillier vocals (from an old scientific machine's
audio manual?)
*7. "What are you waiting for? You must do it now!"
8. This wall o' noise don't brake for nobody
*9. Sunrise vs. the witching hour
10. Heavy industry
11. Noise into broken, echoey vocal samples
Track Listing
| 1. | Beginning | 7. | Rubber Suit, PT2 | |||
| 2. | Rubber Suit | 8. | Sugarwater | |||
| 3. | 'cause I Told You So | 9. | Unmerry | |||
| 4. | Desert | 10. | Near Death | |||
| 5. | Adagio in Cb | 11. | Ending | |||
| 6. | Downer | . |