Grey Ghost / How to Create Worlds
| Album: | How to Create Worlds | Collection: | Jazz | |
| Artist: | Grey Ghost | Added: | Jan 2004 | |
| Label: | 482 Music | |||
A-File Activity
| Add Date: | 2004-02-16 | Pull Date: | 2004-04-19 | Charts: | Jazz |
|---|
| Week Ending: | Apr 18 | Apr 11 | Mar 21 | Mar 14 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 2 | 1 |
Recent Airplay
| 1. | Jun 19, 2010: | Music Casserole
Spitzacolli |
4. | Apr 20, 2004: | A Shade of Blue
Keep on |
|
| 2. | Nov 24, 2009: | Memory Select
Keep on |
5. | Apr 16, 2004: | Memory Select
Keep on |
|
| 3. | May 19, 2006: | Rock in a Position: I'll punch a donkey in the streets of Galway
Spitzacolli |
6. | Apr 10, 2004: | 15 Miles til Sunday - New Night
Horns and Organ |
Album Review
Craig Matsumoto
Reviewed 2004-02-15
Reviewed 2004-02-15
Jazz with dance-music sensabilities and sound effects, a bit like Jaga Jazzist. Fast drums, slow washes of sound. Atmospheric, a bit of a chill-out feel on most tracks.
1*- Drifty, with fast, nervous atmosphere
2- Quiet
3*- Small thoughtful sax wanderings, after hard start. Finishes strong.
4- Calm fast burble
5- Quiet, Matmos-like. Halfway through, jumps into cool jazzy downbeat sax-drums
6- Slow tribal drum, then an ominous electronic haze
7- Slow, disjoint, abstract
8- Drifty with Matmos-like clicks. Gets aggressive.
9*- Gentle notes over fast synth bass, with bright aggressive drums
1*- Drifty, with fast, nervous atmosphere
2- Quiet
3*- Small thoughtful sax wanderings, after hard start. Finishes strong.
4- Calm fast burble
5- Quiet, Matmos-like. Halfway through, jumps into cool jazzy downbeat sax-drums
6- Slow tribal drum, then an ominous electronic haze
7- Slow, disjoint, abstract
8- Drifty with Matmos-like clicks. Gets aggressive.
9*- Gentle notes over fast synth bass, with bright aggressive drums
Track Listing
| 1. | Spitzacolli | 6. | Command Control | |||
| 2. | Splendor | 7. | Unheard, Other Bands ... | |||
| 3. | Horns and Organ | 8. | Spool | |||
| 4. | Hand Down | 9. | Keep on | |||
| 5. | When You Say Go, Leave | . |