Heward, John Trio / Let Them Pass
| Album: | Let Them Pass | Collection: | Jazz | |
| Artist: | Heward, John Trio | Added: | Jun 2004 | |
| Label: | Drimala | |||
A-File Activity
| Add Date: | 2004-07-05 | Pull Date: | 2004-09-06 | Charts: | Jazz |
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| Week Ending: | Sep 5 | Jul 25 | Jul 18 | Jul 11 |
|---|---|---|---|---|
| Airplays: | 1 | 2 | 1 | 1 |
Recent Airplay
| 1. | Apr 08, 2010: | Memory Select
Let Them Pass Two |
4. | Sep 03, 2004: | Jamorama Select
Let Them Pass Two |
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| 2. | May 30, 2006: | Umami Jazz Program
Let Them Pass Seven |
5. | Jul 23, 2004: | Memory Select
Let Them Pass One |
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| 3. | Nov 21, 2004: | Oh Messy Life
Let Them Pass Seven |
6. | Jul 22, 2004: | Umami Jazz Program
Let Them Pass Two |
Album Review
Craig Matsumoto
Reviewed 2004-07-24
Reviewed 2004-07-24
Trio of sax (Joe Giardullo), bass, drums, doing improvised jams in a free-jazz mode (that is, it's recognizable as "jazz.") Good session with strong playing throughout and a nice variety of moods.
1- Strong, bright
2*- Psychedelic? A tumbling, mysterious flute jam with high energy drums
3- Slow. Cool ambling bass overshadowed by raspy sax. (Includes a long, low-level drum tone that gets a tad dull)
4*- Calm, quiet. Bass-dominated, with relaxed touches of "world" percussion
5- Quiet squeaking, gets tumbing and faster later
6- Meditative and sparse, with flute. Native-American influence.
7*- Fast and tumbling, with aggressive bass
1- Strong, bright
2*- Psychedelic? A tumbling, mysterious flute jam with high energy drums
3- Slow. Cool ambling bass overshadowed by raspy sax. (Includes a long, low-level drum tone that gets a tad dull)
4*- Calm, quiet. Bass-dominated, with relaxed touches of "world" percussion
5- Quiet squeaking, gets tumbing and faster later
6- Meditative and sparse, with flute. Native-American influence.
7*- Fast and tumbling, with aggressive bass
Track Listing
| 1. | Let Them Pass One | 5. | Let Them Pass Five | |||
| 2. | Let Them Pass Two | 6. | Let Them Pass Six | |||
| 3. | Let Them Pass Three | 7. | Let Them Pass Seven | |||
| 4. | Let Them Pass Four | . |