Alizadeh, Hossein & Djivan Gasparyan / Endless Vision: Persian And Armenian Songs
Album: | Endless Vision: Persian And Armenian Songs | Collection: | World | |
Artist: | Alizadeh, Hossein & Djivan Gasparyan | Added: | Feb 2006 | |
Label: | World Village |
A-File Activity
Add Date: | 2006-04-30 | Pull Date: | 2006-07-02 | Charts: | Reggae/World |
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Week Ending: | Jun 18 | Jun 11 | Jun 4 | May 28 | May 21 | May 14 | May 7 |
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Airplays: | 2 | 1 | 1 | 3 | 1 | 2 | 2 |
Recent Airplay
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2. | Nov 13, 2017: | In Your Ear Radio - A Quite Surreal Morning
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3. | Oct 04, 2017: | At the Cafe Bohemian In Your Ear
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6. | Aug 11, 2015: | In Your Ear Radio
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Album Review
Fo
Reviewed 2006-04-28
Reviewed 2006-04-28
ALIZADEH & GASPARYAN – “Endless Vision”
World Village, 2006
Traditional Persian and Armenian music meet in this stunning live performance (in Tehran, 2003). Hossein Alizadeh, who has a long and distinguished resume in classical and modern work, plays a lute called a shurangiz. Djivan Gasparyan is a master of the duduk flute and does a lot of movie soundtrack work in addition to the more standard fare. The two are supported by the seven-piece Hamayavan Ensemble (vocals, drums, flutes, oud). Beautiful, if often sad.
Fo’s Picks: 1, 3, 4
1. 22:13 – relaxed, meditative and haunting: starts with atmospheric strumming, flute comes in at 4 minutes, followed by drums and slow, moaning, overlapped vocals. It’s long, but worth the investment. Just gorgeous!
2. 03:07 – mournful improvised flute solo over a quiet drone.
3. 07:40 – wow. lovely vocals and gently marching rhythm, intoxicating.
4. 08:00 – surging mid/uptempo instrumental, a galloping caravan on the Silk Road.
5. 05:56 – low flutes and a rough-edged solo vocal; lots of space, lonely sound
6. 06:02 – solo improvisation on shurangiz: fluttery at some times, forceful at others
7. 06:36 – big strum & drum theme, perky vocal ensemble; slashing & dramatic
[Fo] - 4/28/06
World Village, 2006
Traditional Persian and Armenian music meet in this stunning live performance (in Tehran, 2003). Hossein Alizadeh, who has a long and distinguished resume in classical and modern work, plays a lute called a shurangiz. Djivan Gasparyan is a master of the duduk flute and does a lot of movie soundtrack work in addition to the more standard fare. The two are supported by the seven-piece Hamayavan Ensemble (vocals, drums, flutes, oud). Beautiful, if often sad.
Fo’s Picks: 1, 3, 4
1. 22:13 – relaxed, meditative and haunting: starts with atmospheric strumming, flute comes in at 4 minutes, followed by drums and slow, moaning, overlapped vocals. It’s long, but worth the investment. Just gorgeous!
2. 03:07 – mournful improvised flute solo over a quiet drone.
3. 07:40 – wow. lovely vocals and gently marching rhythm, intoxicating.
4. 08:00 – surging mid/uptempo instrumental, a galloping caravan on the Silk Road.
5. 05:56 – low flutes and a rough-edged solo vocal; lots of space, lonely sound
6. 06:02 – solo improvisation on shurangiz: fluttery at some times, forceful at others
7. 06:36 – big strum & drum theme, perky vocal ensemble; slashing & dramatic
[Fo] - 4/28/06
Track Listing
1. | Birds | 5. | Mama | |||
2. | Armenian Romances | 6. | Shurangiz Improvisation | |||
3. | Sari Galin | 7. | Tasnif Parvaneh Sho... | |||
4. | Call Of The Birds | . |