Agrazing Maze / At The End Of The Day
| Album: | At The End Of The Day | Collection: | Jazz | |
| Artist: | Agrazing Maze | Added: | Apr 2006 | |
| Label: | Foxhaven Records | |||
A-File Activity
| Add Date: | 2006-04-30 | Pull Date: | 2006-07-02 | Charts: | Jazz |
|---|
| Week Ending: | Jul 2 | Jun 18 | Jun 4 | May 21 | May 14 | May 7 |
|---|---|---|---|---|---|---|
| Airplays: | 2 | 1 | 1 | 1 | 2 | 1 |
Recent Airplay
| 1. | Dec 14, 2017: | No Cover, No Minimum
Forotto |
4. | Jun 30, 2006: | Memory Select
Gerber Blender |
|
| 2. | Jul 06, 2017: | No Cover, No Minimum
We Apologize For The Inconvenience |
5. | Jun 27, 2006: | Umami Jazz Program
We Apologize For The Inconvenience |
|
| 3. | May 25, 2017: | No Cover, No Minimum
5 A.M. Stroll |
6. | Jun 12, 2006: | No Cover, No Minimum
Pent-Up House |
Album Review
Fo
Reviewed 2006-04-28
Reviewed 2006-04-28
AGRAZING MAZE – “At the End of the Day”
Foxhaven, 2006
Progressive jazz with a playful air, walking (and frequntly jumping) the line between straight modern bop and a more experimental feel. Pianist Enrique Haneine blends a Latin sense with introspective and skewed approaches; trumpeter Shane Endsley strolls all over the rhythm, bassist Carlo DeRosa is solid and inventive, and rising star Allison Miller provides a rich, active carpet throughout. Nothing leaps out and says “play me,” but it’s all worth hearing.
Fo’s Picks: “in” – 6, 3 “out” – 4, 7, 9 good balance – 1, 8
1. 9:00 – staggering intro, then funky walk with slinky/sour trumpet, scattery piano
2. 9:37 – subdued atmosphere: trumpet ruminations, odd piano spirals, quick bass
3. 5:48 – cute stop/start version of bebop classic, with heavy latin-jazz inspiration
4. 8:51 – upbeat stroll turns abstract, becomes quiet, strident, waltzy, thumping
5. 7:00 – slightly off-center ballad: piano winds & unreels, bass wanders & digs
6. 7:48 – fast modern-bop: piano scrambles & crashes, bass in melodic clusters
7. 5:26 – unrecognizable Shorter/Miles cover, played free
8. 9:00 – uptempo nocturnal walk with squawking trumpet, flowing piano
9. 9:47 – slow, abstract, creaky atmospherics, each player takes a melodic turn
[Fo] - 4/28/06
Foxhaven, 2006
Progressive jazz with a playful air, walking (and frequntly jumping) the line between straight modern bop and a more experimental feel. Pianist Enrique Haneine blends a Latin sense with introspective and skewed approaches; trumpeter Shane Endsley strolls all over the rhythm, bassist Carlo DeRosa is solid and inventive, and rising star Allison Miller provides a rich, active carpet throughout. Nothing leaps out and says “play me,” but it’s all worth hearing.
Fo’s Picks: “in” – 6, 3 “out” – 4, 7, 9 good balance – 1, 8
1. 9:00 – staggering intro, then funky walk with slinky/sour trumpet, scattery piano
2. 9:37 – subdued atmosphere: trumpet ruminations, odd piano spirals, quick bass
3. 5:48 – cute stop/start version of bebop classic, with heavy latin-jazz inspiration
4. 8:51 – upbeat stroll turns abstract, becomes quiet, strident, waltzy, thumping
5. 7:00 – slightly off-center ballad: piano winds & unreels, bass wanders & digs
6. 7:48 – fast modern-bop: piano scrambles & crashes, bass in melodic clusters
7. 5:26 – unrecognizable Shorter/Miles cover, played free
8. 9:00 – uptempo nocturnal walk with squawking trumpet, flowing piano
9. 9:47 – slow, abstract, creaky atmospherics, each player takes a melodic turn
[Fo] - 4/28/06
Track Listing
| 1. | We Apologize For The Inconvenience | 6. | 5 A.M. Stroll | |||
| 2. | HB | 7. | Nefertiti | |||
| 3. | Pent-Up House | 8. | Forotto | |||
| 4. | Gerber Blender | 9. | A Phrase | |||
| 5. | At The End Of The Day | . |