Earlies, The / Enemy Chorus, The
Album: | Enemy Chorus, The | Collection: | General | |
Artist: | Earlies, The | Added: | Feb 2007 | |
Label: | Secretly Canadian |
A-File Activity
Add Date: | 2007-05-06 | Pull Date: | 2007-07-08 |
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Week Ending: | Jul 8 | Jun 3 | May 20 | May 13 |
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Airplays: | 1 | 2 | 2 | 3 |
Recent Airplay
1. | Nov 25, 2007: | Multiple Personality Disorder
Breaking Point |
4. | Jun 01, 2007: | Something about music
Burn The Liars |
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2. | Aug 05, 2007: | Multiple Personality Disorder
Bad Is As Bad Does |
5. | May 31, 2007: | Finneman's Market
Burn The Liars |
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3. | Jul 06, 2007: | Multiple Personality Disorder
Burn The Liars |
6. | May 19, 2007: | Biff Bang Pow
Burn The Liars |
Album Review
Rob Majors
Reviewed 2007-05-07
Reviewed 2007-05-07
Slick, cinematic indie pop with electronic focus. Varied, creative, and carefully arranged songs centered on retro pop, prog, and some sci-fi undertones, but spanning a wide range of instrumentations and feels (with 16 evenly-credited musicians, I guess one can.) Both slicker and less atmospheric than previous releases, while maintaining the frequent ensemble singing and great harmonies.
Picks: See stars below.
See also: His Name Is Alive, Brian Wilson, a slicker Menomena
***1) 4:53 - Varied build as synths and orchestral sounds rise over rubbery bass vamp into a driving, hypnotic vocal groove. Sci-fi feel.
***2) 2:44 - Catchy, with kooky eighth-note piano pulse and lightly tapping percussion. Bizarre panning towards end.
***3) 4:12 - Plodding bass and vox offset by beautiful refrains. Ends with swirling delay effect.
4) 4:31 - Folksy and shimmering tonality, with steel guitar and plunking synth bloops. Atmospheric break towards middle.
*5) 5:46 - Harmonica intro into dark pop. Rough synth floor, sparse industrial drum groove, and urban sounds set under horns and lighter synth blip percolation. Builds to soaring. 31-sec out.
**6) 4:13 - Controlled instrumental with prominent bassoon. Grieg-like intro into piano and carefully arranged vamps. Cold stop.
**7) 5:26 - Upbeat, with rough horn-and-synths intro reminiscent of TMBG, into smooth indie pop. Nice, quirky electronic break 2/3 to end. Finishes with typewriter sounds.
8) 4:40 - Cut-and-paste samples intro into piano-based prog pop ballad. Ends with swirling chimes to cold stop.
9) 3:17 - Spacious and folksy fading. 12-sec out.
*10) 4:02 - 4-sec intro. Catchy piano pop with heavy perc.
**11) 5:23 - Ambitious, sitar-led instrumental. Mostly post-rock or prog feel. 15-sec out.
Picks: See stars below.
See also: His Name Is Alive, Brian Wilson, a slicker Menomena
***1) 4:53 - Varied build as synths and orchestral sounds rise over rubbery bass vamp into a driving, hypnotic vocal groove. Sci-fi feel.
***2) 2:44 - Catchy, with kooky eighth-note piano pulse and lightly tapping percussion. Bizarre panning towards end.
***3) 4:12 - Plodding bass and vox offset by beautiful refrains. Ends with swirling delay effect.
4) 4:31 - Folksy and shimmering tonality, with steel guitar and plunking synth bloops. Atmospheric break towards middle.
*5) 5:46 - Harmonica intro into dark pop. Rough synth floor, sparse industrial drum groove, and urban sounds set under horns and lighter synth blip percolation. Builds to soaring. 31-sec out.
**6) 4:13 - Controlled instrumental with prominent bassoon. Grieg-like intro into piano and carefully arranged vamps. Cold stop.
**7) 5:26 - Upbeat, with rough horn-and-synths intro reminiscent of TMBG, into smooth indie pop. Nice, quirky electronic break 2/3 to end. Finishes with typewriter sounds.
8) 4:40 - Cut-and-paste samples intro into piano-based prog pop ballad. Ends with swirling chimes to cold stop.
9) 3:17 - Spacious and folksy fading. 12-sec out.
*10) 4:02 - 4-sec intro. Catchy piano pop with heavy perc.
**11) 5:23 - Ambitious, sitar-led instrumental. Mostly post-rock or prog feel. 15-sec out.
Track Listing
1. | No Love In Your Heart | 7. | Foundation And Earth | |||
2. | Burn The Liars | 8. | Little Trooper | |||
3. | Enemy Chorus | 9. | Broken Chain | |||
4. | The Ground We Walk On | 10. | When The Wind Blows | |||
5. | Bad Is As Bad Does | 11. | Breaking Point | |||
6. | Gone For The Most Part | . |