Rebuilding The Rights Of Statues / Cut Off!
| Album: | Cut Off! | Collection: | General | |
| Artist: | Rebuilding The Rights Of Statues | Added: | Aug 2007 | |
| Label: | Tag Team Records | |||
A-File Activity
| Add Date: | 2007-11-04 | Pull Date: | 2008-01-06 |
|---|
| Week Ending: | Dec 30 | Dec 9 | Dec 2 | Nov 18 | Nov 11 |
|---|---|---|---|---|---|
| Airplays: | 1 | 1 | 1 | 1 | 3 |
Recent Airplay
| 1. | Dec 25, 2007: | On The Warpath
A Vision Of Chris |
4. | Nov 13, 2007: | A2Z
Boys In Cage |
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| 2. | Dec 04, 2007: | A2Z
A Death-Bed Song |
5. | Nov 07, 2007: | Brownian Motion
Boys In Cage |
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| 3. | Nov 27, 2007: | A2Z
Tv Show (Hang The Police) |
6. | Nov 06, 2007: | radio randomulance
Boys In Cage, A Death-Bed Song |
Album Review
Gears
Reviewed 2007-10-28
Reviewed 2007-10-28
Chinese post punk. Very danceable new-wavey basslines on dark brooding melodies. Lyrics in English mostly about oppression in modern Chinese society. Apparently Brian Eno is playing keyboards as a guest star, but I can't hear him. Sounds a lot like Interpol, Blonde Redhead, Siouxsie and the Banshees, etc. Check it out!
Track Picks: 2,3,5 *** FCC Clean ***
1. 20sec of some transmission, then typical new-wavey song
**2. midtempo, disco-punk rhythm, nice bassline, very dancebale
**3. uptempo, more punky, cool melody
4. midtempo, nice guitar riffing, sounds like Suede
**5. strong Interpol influence, middle Eastern guitar riff
6. midtempo, more relaxed
7. pretty decent bassline
Track Picks: 2,3,5 *** FCC Clean ***
1. 20sec of some transmission, then typical new-wavey song
**2. midtempo, disco-punk rhythm, nice bassline, very dancebale
**3. uptempo, more punky, cool melody
4. midtempo, nice guitar riffing, sounds like Suede
**5. strong Interpol influence, middle Eastern guitar riff
6. midtempo, more relaxed
7. pretty decent bassline
Track Listing
| 1. | Die In 1977 | 5. | Tv Show (Hang The Police) | |||
| 2. | A Death-Bed Song | 6. | Laugh From The Time | |||
| 3. | Boys In Cage | 7. | A Vision Of Chris | |||
| 4. | If The Monkey Becomes (To Be) The King | . |