Higuchi, Hisato / Butterfly Horse Street
| Album: | Butterfly Horse Street | Collection: | General | |
| Artist: | Higuchi, Hisato | Added: | Dec 2007 | |
| Label: | Family Vineyard | |||
A-File Activity
| Add Date: | 2008-01-06 | Pull Date: | 2008-03-10 | Charts: | Classical/Experimental |
|---|
| Week Ending: | Mar 9 | Feb 3 | Jan 20 | Jan 13 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 2 | 1 |
Recent Airplay
| 1. | Mar 07, 2008: | Memory Select
Guitar Six |
4. | Jan 16, 2008: | nag champa orangeasm
Melody In The Mud |
|
| 2. | Jan 30, 2008: | Brownian Motion
Cry Baby Flowers |
5. | Jan 09, 2008: | Brownian Motion
Grow |
|
| 3. | Jan 16, 2008: | Baptism of Solitude
Grow |
||||
Album Review
Your Imaginary Friend
Reviewed 2008-01-02
Reviewed 2008-01-02
Japanese psychedelic guitar noodly introspection! Dissonant guitar sturmming pointless with lots of fuzz box and dissonance, non-sequitors, for fans of Bevis Frond, Acid Mothers Temple, taking acid and watching your TV on its side. KFJC is probably playing this as you read. The soundtrack to shopping at aQuaRiuS rEcorDsssss.
1) quiet guitar with breathy vocalizations
2) cool drony psychy distorto guitar
3) more noodlization
4) the breathy vocalizations come across in a more Eno’esque fashion this time with the very quiet guitar
5) distorto
6) quiet
7) quiet with vocs
8) quiet but a tad of distorto guitar too
9) quiet
10) quiet but distorted
11) distorto louder
1) quiet guitar with breathy vocalizations
2) cool drony psychy distorto guitar
3) more noodlization
4) the breathy vocalizations come across in a more Eno’esque fashion this time with the very quiet guitar
5) distorto
6) quiet
7) quiet with vocs
8) quiet but a tad of distorto guitar too
9) quiet
10) quiet but distorted
11) distorto louder
Track Listing
| 1. | A Hundred Signs Of Light | 7. | In The Mud | |||
| 2. | Grow | 8. | Kind Line | |||
| 3. | Blood And Leaves | 9. | Guitar Six | |||
| 4. | Melody In The Mud | 10. | Dawn | |||
| 5. | Electric Guitar Light | 11. | Cry Baby Flowers | |||
| 6. | Monster On The Street | . |