Loose Wig / Velvet Coup
| Album: | Velvet Coup | Collection: | Jazz | |
| Artist: | Loose Wig | Added: | May 2009 | |
| Label: | Self-Release | |||
A-File Activity
| Add Date: | 2009-07-05 | Pull Date: | 2009-09-06 | Charts: | Jazz |
|---|
| Week Ending: | Sep 6 | Aug 23 | Aug 16 | Aug 2 | Jul 12 |
|---|---|---|---|---|---|
| Airplays: | 2 | 1 | 1 | 1 | 2 |
Recent Airplay
| 1. | Mar 22, 2013: | No Cover, No Minimum
Bagayogo |
4. | Sep 04, 2009: | No Cover, No Minimum
Bagayogo |
|
| 2. | Nov 14, 2009: | Music Casserole
Revengers |
5. | Aug 18, 2009: | At the Cafe Bohemian
Ann Uncompromised |
|
| 3. | Sep 04, 2009: | Memory Select
Velvet Coup |
6. | Aug 09, 2009: | Transmission Overload
Bagayogo |
Album Review
Fo
Reviewed 2009-06-20
Reviewed 2009-06-20
LOOSE WIG: Velvet Coup
self-released, 2007
MODERN JAZZ – Intriguing Berkeley quartet with a moody collective sound, complex original material and a good dollop of improvisational attitude casually slipped in. Most cuts composed by bassist Sam Bevan.
Ben Fajen - tenor sax
Mike Abraham - guitar
Sam Bevan - bass
Bryan Bowman - drums
* * * | Fo’s Picks: 1, 3, 4, 5, 7, 11
1. 4:57 – lumbering stride, quietly free interlude, sharp sax & guitar dialogue
2. 6:35 – relaxed, thoughtful melody; calm bass solo, daydreaming guitar
3. 5:33 – lilting African sound with quiet rhythm, very spacious middle section
4. 5:17 – swinging 1950s style ditty, flowing sax solo, guitar flits & flutters
5. 5:26 – touch of menace: striding 4-note riff, rolling drum solo, guitar effects
6. 5:47 – nearly silent start, very slow drifting melody, builds up strength
7. 5:09 – snappy strut, sax rides on walking bassline, guitar surfs rolling drums
8. 4:34 – relaxed meandering stroll, bass solo takes it easy, sax mulls it over
9. 5:20 – slow, slinky tune: spy-surf reverb guitar gets a bit noisy, comes back
10. 4:34 – furtive, with subtle twists & turns: sax & bass mark the path clearly
11. 6:22 – march-like procession, solos wrap around the angular melody
[ Fo ] 06/20/09
self-released, 2007
MODERN JAZZ – Intriguing Berkeley quartet with a moody collective sound, complex original material and a good dollop of improvisational attitude casually slipped in. Most cuts composed by bassist Sam Bevan.
Ben Fajen - tenor sax
Mike Abraham - guitar
Sam Bevan - bass
Bryan Bowman - drums
* * * | Fo’s Picks: 1, 3, 4, 5, 7, 11
1. 4:57 – lumbering stride, quietly free interlude, sharp sax & guitar dialogue
2. 6:35 – relaxed, thoughtful melody; calm bass solo, daydreaming guitar
3. 5:33 – lilting African sound with quiet rhythm, very spacious middle section
4. 5:17 – swinging 1950s style ditty, flowing sax solo, guitar flits & flutters
5. 5:26 – touch of menace: striding 4-note riff, rolling drum solo, guitar effects
6. 5:47 – nearly silent start, very slow drifting melody, builds up strength
7. 5:09 – snappy strut, sax rides on walking bassline, guitar surfs rolling drums
8. 4:34 – relaxed meandering stroll, bass solo takes it easy, sax mulls it over
9. 5:20 – slow, slinky tune: spy-surf reverb guitar gets a bit noisy, comes back
10. 4:34 – furtive, with subtle twists & turns: sax & bass mark the path clearly
11. 6:22 – march-like procession, solos wrap around the angular melody
[ Fo ] 06/20/09
Track Listing
| 1. | Ann Uncompromised | 7. | T.T. Riddler | |||
| 2. | Border | 8. | October Mood | |||
| 3. | Bagayogo | 9. | Night Light | |||
| 4. | Sweetback | 10. | The Sound Of Midnight | |||
| 5. | Revengers | 11. | Velvet Coup | |||
| 6. | A Faint Glimmer In Remembrance | . |