Mates Of State / Crushes - The Covers Mixtape
Album: | Crushes - The Covers Mixtape | Collection: | General | |
Artist: | Mates Of State | Added: | Jul 2010 | |
Label: | Self-Release |
A-File Activity
Add Date: | 2010-10-10 | Pull Date: | 2010-12-12 |
---|
Week Ending: | Dec 12 | Dec 5 | Nov 28 | Nov 7 | Oct 31 | Oct 24 | Oct 17 |
---|---|---|---|---|---|---|---|
Airplays: | 2 | 4 | 1 | 2 | 2 | 5 | 2 |
Recent Airplay
1. | May 31, 2013: | the mystery hour
Sleep The Clock Around |
4. | Nov 08, 2012: | A Family Affair
Second Hand News |
|
2. | May 11, 2013: | Outrun My Gun
Son Et Lumiere |
5. | Apr 27, 2012: | Outrun My Gun
Son Et Lumiere |
|
3. | Mar 12, 2013: | A Familym Affair
Sleep The Clock Around |
6. | Jul 24, 2011: | rshsrejhdt
Sleep The Clock Around |
Album Review
Trent Kay
Reviewed 2010-09-28
Reviewed 2010-09-28
Covers record. Vibe-and-echo-drenched indie pop by husband-and-wife duo splitting duties on vox, glock, electric organ and synth. Known for jolty and jittery arrangements, sweeping sky-high harmonies, and a soft-electro bent a la Death Cab. Put simply, everyone who knows them loves them. This is not a great album by any stretch, but you’ve gotta love a covers tape that kicks off with Laura and closes with True Love Will Find You In The End. Married people!
try: 3, 10, 2, 7, 8
FCC: 1 (recommended for safe harbour)
1. FCC “bitch” (girls) funky laid-back piano-laden. sweet pop bass. great undersea vibe. the original is great. this is better. take the time to play this if you’re SH-clear.
*2. (the mars volta) scary & squiggly. heavy haunted house bass, ramshackle keys and high-pitched male vox. ends with very pretty harmonies.
*3. (belle & sebastian) melancholy, achey, sweet. very true to the original. acoustic guitar & tambourine, with a full band sound. trumpet! god damn, how did they make this song even sadder. i wonder if alan thinks this sounds like beck.
4. (death cab) slowish, windy, keys-and-echoes. very lullaby-esque.
5. (tom waits) big fat blow-out lead guitar & enormous “yeah” ruddering. not upbeat, not mellow. determined drums. huge sound.
6. (nick cave) super-exposed upfront male vox (later, chick harmonies) over drony echoey organ. slow.
*7. (fleetwood mac) WTF?! industrial percussion and scattershot bubbly funky keyboard beat. slower, groovy, happy, relaxed. i like this a lot. VERY different from the original. not as good as the tonic cover of same, but hey.
*8. (vashti bunyan) sounds a lot like via audio. delicate airy chick vox, slow light through-a-cassette piano and shakers. chilly, spooky, pretty. ends with doubled child vox.
9. (dear nora) heavy fluttery circular pedal-on piano (i’m seriously hearing the piano duel in who framed roger rabbit). arching and melodramatic.
*10. (daniel johnston) upbeat handclappy drum machine and hella-vibed keyboard. sounds like, of all things, death cab. or something off the pokemon soundtrack.
try: 3, 10, 2, 7, 8
FCC: 1 (recommended for safe harbour)
1. FCC “bitch” (girls) funky laid-back piano-laden. sweet pop bass. great undersea vibe. the original is great. this is better. take the time to play this if you’re SH-clear.
*2. (the mars volta) scary & squiggly. heavy haunted house bass, ramshackle keys and high-pitched male vox. ends with very pretty harmonies.
*3. (belle & sebastian) melancholy, achey, sweet. very true to the original. acoustic guitar & tambourine, with a full band sound. trumpet! god damn, how did they make this song even sadder. i wonder if alan thinks this sounds like beck.
4. (death cab) slowish, windy, keys-and-echoes. very lullaby-esque.
5. (tom waits) big fat blow-out lead guitar & enormous “yeah” ruddering. not upbeat, not mellow. determined drums. huge sound.
6. (nick cave) super-exposed upfront male vox (later, chick harmonies) over drony echoey organ. slow.
*7. (fleetwood mac) WTF?! industrial percussion and scattershot bubbly funky keyboard beat. slower, groovy, happy, relaxed. i like this a lot. VERY different from the original. not as good as the tonic cover of same, but hey.
*8. (vashti bunyan) sounds a lot like via audio. delicate airy chick vox, slow light through-a-cassette piano and shakers. chilly, spooky, pretty. ends with doubled child vox.
9. (dear nora) heavy fluttery circular pedal-on piano (i’m seriously hearing the piano duel in who framed roger rabbit). arching and melodramatic.
*10. (daniel johnston) upbeat handclappy drum machine and hella-vibed keyboard. sounds like, of all things, death cab. or something off the pokemon soundtrack.
Track Listing