Brief Candles / Fractured Days
| Album: | Fractured Days | Collection: | General | |
| Artist: | Brief Candles | Added: | Nov 2011 | |
| Label: | Guilt Ridden Pop | |||
A-File Activity
| Add Date: | 2012-10-28 | Pull Date: | 2012-12-30 |
|---|
| Week Ending: | Dec 30 | Dec 23 | Dec 2 | Nov 25 | Nov 18 | Nov 11 | Nov 4 |
|---|---|---|---|---|---|---|---|
| Airplays: | 1 | 1 | 3 | 1 | 1 | 1 | 1 |
Recent Airplay
| 1. | Dec 25, 2012: | Meow:The Best Of Fall 2012
10 Weeks |
4. | Dec 01, 2012: | The Base of A Dream is Empty
Sink Or Swim, The Sentiment |
|
| 2. | Dec 18, 2012: | Meow
10 Weeks |
5. | Nov 29, 2012: | Meow After Midnight
10 Weeks |
|
| 3. | Dec 01, 2012: | Feral Pop Frenzy
The Sentiment |
6. | Nov 24, 2012: | Feral Pop Frenzy
The Sentiment |
Album Review
Rex
Reviewed 2012-10-14
Reviewed 2012-10-14
Artist: Brief Candles Album: Fractured Days
Genre: Alternative/Indie Rock, Shoegaze, slightly post-rock
A combination of My Bloody Valentine+Jesus and Mary Chain+post-rock Maybeshewill
Epic Album!!
FCC clean
1. Intro (0.37)- atmospheric, reverb, short intro
*2. 10 Weeks (4.22)- fuzzy guitar, reverb female vocal, bright, revival of 90s shoegaze, messy
**3. Sink or Swim (4.21)- they have their own way to do this, fuzzy pedal+brilliant riffs, gorgeous vocal
*4. Permafrost (4.18)- delicate intro, layered sounds, bewitching atmosphere, wistful childhood memory
*5. The Sediment (4.40)- post-rock intro, tender, duo vocals, melting guitars, and swirling atmosphere, nostalgic sweetness, sentimental, weird loopy ending, *stop when there’s still 30 sec. at the end (weird loopy ending)*
*6. Small Streets (5.55)- bass line stands out for intro, compatible mix of effects and atmosphere, inert, static, yearning
*7. Bitter End (5.00)- resilient, brilliant guitar, etching out the bittersweet instances of fleeting summer days, the solo at 4:15 really pushes you to the point
8. Skylark (5.13)- slow/mid-tempo, reverb male vocal, delicate, scorched beauty, appeals to anyone with a sentimental mindset
9. The Completist (2.49)- natural, sweet vocals, enchanting beach scene
10. Recognition (3.54)- mesmerized by the image it creates, layered and oceanic
11. Nosferatu Monks (0.33)- lurking threats, interim
*12. Knock ‘em Deaf (4.24)- disarmingly pretty, thoughtful buildups and gracefully majestic instrumental passages, dream, hazy
Genre: Alternative/Indie Rock, Shoegaze, slightly post-rock
A combination of My Bloody Valentine+Jesus and Mary Chain+post-rock Maybeshewill
Epic Album!!
FCC clean
1. Intro (0.37)- atmospheric, reverb, short intro
*2. 10 Weeks (4.22)- fuzzy guitar, reverb female vocal, bright, revival of 90s shoegaze, messy
**3. Sink or Swim (4.21)- they have their own way to do this, fuzzy pedal+brilliant riffs, gorgeous vocal
*4. Permafrost (4.18)- delicate intro, layered sounds, bewitching atmosphere, wistful childhood memory
*5. The Sediment (4.40)- post-rock intro, tender, duo vocals, melting guitars, and swirling atmosphere, nostalgic sweetness, sentimental, weird loopy ending, *stop when there’s still 30 sec. at the end (weird loopy ending)*
*6. Small Streets (5.55)- bass line stands out for intro, compatible mix of effects and atmosphere, inert, static, yearning
*7. Bitter End (5.00)- resilient, brilliant guitar, etching out the bittersweet instances of fleeting summer days, the solo at 4:15 really pushes you to the point
8. Skylark (5.13)- slow/mid-tempo, reverb male vocal, delicate, scorched beauty, appeals to anyone with a sentimental mindset
9. The Completist (2.49)- natural, sweet vocals, enchanting beach scene
10. Recognition (3.54)- mesmerized by the image it creates, layered and oceanic
11. Nosferatu Monks (0.33)- lurking threats, interim
*12. Knock ‘em Deaf (4.24)- disarmingly pretty, thoughtful buildups and gracefully majestic instrumental passages, dream, hazy
Track Listing
| 1. | Intro | 7. | Bitter End | |||
| 2. | 10 Weeks | 8. | Skylark | |||
| 3. | Sink Or Swim | 9. | The Completist | |||
| 4. | Permafrost | 10. | Recognition | |||
| 5. | The Sentiment | 11. | Nosferatu Monks | |||
| 6. | Small Streets | 12. | Knock 'em Deaf |