Mon Feb 13, 2006 9pm - midnight
| Time | Artist | Track | Album/Label | |
|---|---|---|---|---|
| Tom Waits | In the Neighborhood | Swordfishtrombones / Island | ||
| Bad Brains | Sailin' on | Bad Brains / Roir | ||
| Iggy Pop | The Passenger | Lust for Life / Virgin Records (Modern) | ||
| Make Believe | "Boom!" Sounds Like "Hiss" From Inside It | Shock Of Being / Flameshovel Records | ||
| Saetia | Some Natures Catch No Plagues | A Retrospective / Level Plane | ||
| Walken | You & My Aversion to Fire | We've Lost Our Little Chance / Omerta Recordings | ||
| the Adolescents | Wrecking Crew | Complete Demos 1980-1986, the / Frontier | ||
| Devendra Banhart | Little Boys | Cripple Crow / Xl Recordings | ||
| Good Riddance | Waste | Ballads From the Revolution / Fat Wreck Chords | ||
| Kayo Dot | Immortelle and Paper Caravelle | Dowsing Anemone with Copper Tongue / Robotic Empire | ||
| Hella | Cafeteria Bananas | Hella/Dilute Split / SickRoom | ||
| El Teatro Campesino | Llegando A Los Files | Rolas De Aztlan: Songs Of The Chicano Movement / Smithsonian/Folkways | ||
| Snuff | I Think We're Alone Now | Snuff Said / Fat Wreck Chords | ||
| Comadre | I Think We Are Alone Now | Comadre / None | ||
| Allen Ginsberg | First Party at Ken Kesey's | Holy Soul Jelly Roll 1949-1993 / Rhino Records | ||
| Drive Like Jehu | Super Unison | Yank Crime / Interscope Records (Moder | ||
| Okkervil River | No Ey, No Plan | Black Sheep Boy Appendix / Jagjaguwar | ||
| Antelope | Game Over | Antelope / Dischord | ||
| La Plebe | Enfadada | Entre Cerveza, Ritmo, Y Emocion... / Desarme Sf | ||
| Modern Life Is War | D.E.A.D.R.A.M.O.N.E.S. | Witness / Deathwish, Inc. | ||
| Fugazi | Kyeo | Steady Diet of Nothing / Dischord | ||
| the Mountain Goats | No Children | Tallahassee / 4AD | ||
| Ticonderoga | They Can Run | Heilig-Levine Lp, The / 54 Degrees 40' or Fight! | ||
| Big Boys | Mutant Rock | Skinny Elvis / Touch and Go | ||
| Ladders | Track 4 | Ladders / None | ||
| Nausea | Godless | Punk Terrorist Anthology Vol. 1, The / Alternative Tentacles | ||
| Johnny Cash | A Boy Named Sue | Essential, the / Columbia Legacy | ||
| Shel Silverstein | A Boy Named Sue | Best Of Shel Silverstein His Words His Songs His Friends, The / Columbia | ||
| All | Boy Named Sue | Dot / Cruz Records | ||
| Noam Chomsky | Authoritarian Structures | Propaganda Control and of the / Ak Press | ||
| 31 Knots | Intuition Imperfected | Talk Like Blood / Polyvinyl Record Co. | ||
| Dust Collector | Skeletons | Lights and Darks / Stop Drop Records | ||
| Uncle Tupelo | Gun | Gun / Dutch East India Trading | ||
| Dntel | Umbrella | Life Is Full of Possibilities / Plug Research | ||
| Ward Churchill | Exemption Is Over | Pacifism and Pathology in the / Alternative Tentacles | ||
| Huun-Huur-Tu | Dadyr-Todur | Best - Live 2 / Green Wave International | ||
| Arthur H | L'amoureux | Adieu Tristesse / Universal | ||
| the Trammps | Disco Inferno | I Am the Angry Son / Repercussion | ||
| Rolling Stones | Rocks Off | Exile on Main Street / Columbia Records (College | ||
| Againts Me! | Beginning in An Ending | Disco Before the Breakdown, th / No Idea | ||
| Joy Division | Transmission | Permanent / Qwest |