Bingham, Ryan / Tomorroland
Album: | Tomorroland | Collection: | General | |
Artist: | Bingham, Ryan | Added: | Oct 2012 | |
Label: | Self-Release |
A-File Activity
Add Date: | 2013-01-19 | Pull Date: | 2013-03-24 |
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Week Ending: | Mar 24 | Mar 10 | Feb 10 | Feb 3 |
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Airplays: | 1 | 1 | 2 | 1 |
Recent Airplay
1. | Aug 04, 2021: | The Iron Skillet (rebroadcast from Feb 3, 2018)
Beg For Broken Legs |
4. | Feb 03, 2018: | The Iron Skillet
Beg For Broken Legs |
|
2. | Dec 28, 2019: | The Iron Skillet
Beg For Broken Legs |
5. | Apr 15, 2017: | The Iron Skillet
Beg For Broken Legs |
|
3. | Mar 23, 2019: | The Iron Skillet
Beg For Broken Legs |
6. | May 14, 2016: | The Iron Skillet
Beg For Broken Legs |
Album Review
Caleb Rau
Reviewed 2013-01-11
Reviewed 2013-01-11
Artist: Ryan Bingham
Album: Tomorrowland
Label: Axster Bingham Records
Ryan Bingham pulls through again. Tomorrowland matches his previous albums in songwriting genius, but the songs reach a more epic caliber through crunchier guitars and arching strings. Bingham’s biting vocals transport you to the western shore and instill in you a sense of courage and adventure. BOLD COWBOY ROCK.
Highlights: 1!, 2, 4, 10
1.(4:15): You aint gotta beg. This song cuts you down with ripping guitar riffs, pounding drums and growling vocals. Epic fight-back music.
2.(6:02): Classic Bingham. Tremendous guitar jamming with climactic strings.
3.(4:07): Relaxed strumming and politically relevant lyrics.
4.(4:04): FCC “motherfucker”. Raging garage rock – feedback and rough vocals.
5.(3:35): Upbeat tune with wailing guitar in the background.
6.(4:01): Fragmented rhythm and banging drums. Classic rock.
7.(8:07): Minimal guitar figure joined by soft drums – stays chill until the freeform jam outro.
8.(6:42): Slow brush drums and distant effected guitar. Sleep music.
9.(4:31): Controlled sliding guitar melody. Calming.
10.(6:12): Ambient guitar and cymbal-heavy drums. Explosions In The Sky-style outro. Peaceful.
11.(2:22): FCC “god damn”. Road trip music. Western to the core. Simple drum line with fancy fiddle work.
12.(4:59): Movin’ tambourine/drum work and spacey guitar trills. False ending – breaks into a second guitar solo.
13.(3:46): Like a train in motion. Bassline and brush drums steal the show.
Album: Tomorrowland
Label: Axster Bingham Records
Ryan Bingham pulls through again. Tomorrowland matches his previous albums in songwriting genius, but the songs reach a more epic caliber through crunchier guitars and arching strings. Bingham’s biting vocals transport you to the western shore and instill in you a sense of courage and adventure. BOLD COWBOY ROCK.
Highlights: 1!, 2, 4, 10
1.(4:15): You aint gotta beg. This song cuts you down with ripping guitar riffs, pounding drums and growling vocals. Epic fight-back music.
2.(6:02): Classic Bingham. Tremendous guitar jamming with climactic strings.
3.(4:07): Relaxed strumming and politically relevant lyrics.
4.(4:04): FCC “motherfucker”. Raging garage rock – feedback and rough vocals.
5.(3:35): Upbeat tune with wailing guitar in the background.
6.(4:01): Fragmented rhythm and banging drums. Classic rock.
7.(8:07): Minimal guitar figure joined by soft drums – stays chill until the freeform jam outro.
8.(6:42): Slow brush drums and distant effected guitar. Sleep music.
9.(4:31): Controlled sliding guitar melody. Calming.
10.(6:12): Ambient guitar and cymbal-heavy drums. Explosions In The Sky-style outro. Peaceful.
11.(2:22): FCC “god damn”. Road trip music. Western to the core. Simple drum line with fancy fiddle work.
12.(4:59): Movin’ tambourine/drum work and spacey guitar trills. False ending – breaks into a second guitar solo.
13.(3:46): Like a train in motion. Bassline and brush drums steal the show.
Track Listing
1. | Beg For Broken Legs | 8. | No Help From God | |||
2. | Western Shore | 9. | Keep It Together | |||
3. | Flower Bomb | 10. | Never Far Behind | |||
4. | Guess Who's Knocking | 11. | The Road I'm On | |||
5. | Heart Of Rhythm | 12. | Neverending Show | |||
6. | I Heard 'em Say | 13. | Too Deep To Fill | |||
7. | Rising Of The Ghetto | . |