Standish/Carlyon / Deleted Scenes
| Album: | Deleted Scenes | Collection: | General | |
| Artist: | Standish/Carlyon | Added: | Jun 2013 | |
| Label: | (No Label Information) | |||
A-File Activity
| Add Date: | 2014-01-31 | Pull Date: | 2014-04-04 |
|---|
| Week Ending: | Apr 6 | Mar 23 | Mar 9 | Feb 23 | Feb 16 | Feb 9 | Feb 2 |
|---|---|---|---|---|---|---|---|
| Airplays: | 1 | 1 | 1 | 2 | 1 | 1 | 1 |
Recent Airplay
| 1. | Oct 30, 2014: | The Sunset Life
New People |
4. | Mar 06, 2014: | The Sunset Life
New People |
|
| 2. | Apr 03, 2014: | Sunshine ... in the Afternoon
Nono/Yoyo |
5. | Feb 20, 2014: | The Sunset Life
Critics Multiply |
|
| 3. | Mar 22, 2014: | Music Casserole
Feb Love |
6. | Feb 17, 2014: | Meow
New People |
Album Review
DJ Away
Reviewed 2014-01-30
Reviewed 2014-01-30
Electronics-heavy debut for two thirds of the defunct Australian rock band Devastations. Extremely entrancing mix of dub, post-punk, 80s pop, R&B, ambient music. Cryptic, nocturnal despair pervades this album. Perfect for your Saturday night anti-party. All songs slow unless otherwise noted. Favorites: 1, 3, 4, 6, 9. No FCCs.
1. *(3:51)—Cavernous, minimal, relaxing, hypnotic, eerie.
2. (5:27)—Funky, punchy, intense, mournful.
3. *(4:26)—Mid-tempo, more frenetic and danceable. Spacy synths. Lovely coda.
4. *(5:22)—Toward R&B balladry. Gorgeous luminescent guitars. “I’m losing my conscience to some Gucci mountain.”
5. (5:17)—Instrumental. Stealthy, texturally rich. Turns slightly abrasive near the end.
6. *(5:51)—Particularly poppy, epic. If Phil Collins had an anhedonic musical brother who joined Chromatics, this might be the result.
7. (3:27)—Jumbled washes of synths and drum tracks. Downright sinister.
8. (4:52)—Medium-slow, fractured. Feels more like an instrumental. Barely audible falsetto vox.
9. *(2:56)—Mid-tempo, minimal, sexy. Aggressive beat.
10. (5:29)—Instrumental. Features Blanck Mass. Creepy, trippy, throbbing, would be perfect as a theme for an 80s horror film.
1. *(3:51)—Cavernous, minimal, relaxing, hypnotic, eerie.
2. (5:27)—Funky, punchy, intense, mournful.
3. *(4:26)—Mid-tempo, more frenetic and danceable. Spacy synths. Lovely coda.
4. *(5:22)—Toward R&B balladry. Gorgeous luminescent guitars. “I’m losing my conscience to some Gucci mountain.”
5. (5:17)—Instrumental. Stealthy, texturally rich. Turns slightly abrasive near the end.
6. *(5:51)—Particularly poppy, epic. If Phil Collins had an anhedonic musical brother who joined Chromatics, this might be the result.
7. (3:27)—Jumbled washes of synths and drum tracks. Downright sinister.
8. (4:52)—Medium-slow, fractured. Feels more like an instrumental. Barely audible falsetto vox.
9. *(2:56)—Mid-tempo, minimal, sexy. Aggressive beat.
10. (5:29)—Instrumental. Features Blanck Mass. Creepy, trippy, throbbing, would be perfect as a theme for an 80s horror film.
Track Listing
| 1. | Critics Multiply | 6. | New People | |||
| 2. | Nono/Yoyo | 7. | Moves, Moves | |||
| 3. | Feb Love | 8. | Aqua Valerie | |||
| 4. | Gucci Mountain | 9. | Subliminally | |||
| 5. | Industrial Resort | 10. | 2 5 1 1 |