Quetzal / Eternal Getdown, The
Album: | Eternal Getdown, The | Collection: | World | |
Artist: | Quetzal | Added: | Jun 2017 | |
Label: | Smithsonian/Folkways |
A-File Activity
Add Date: | 2017-06-15 | Pull Date: | 2017-08-17 | Charts: | Reggae/World |
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Week Ending: | Aug 20 | Aug 13 | Aug 6 | Jul 30 | Jul 23 | Jul 16 | Jul 9 | Jul 2 |
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Airplays: | 1 | 1 | 1 | 3 | 1 | 3 | 3 | 3 |
Recent Airplay
1. | Nov 12, 2021: | Alien Hour
Get To Knowing |
4. | Aug 03, 2017: | Totally A
Pillow People |
|
2. | Aug 16, 2017: | At the Cafe Bohemian
Pillow People |
5. | Jul 29, 2017: | Music Casserole
Espejos Vs. The Gaze |
|
3. | Aug 10, 2017: | Totally A
Pillow People |
6. | Jul 27, 2017: | Laptop Radio
La Danza De Coyolxauqui |
Album Review
Margy Kahn
Reviewed 2017-06-07
Reviewed 2017-06-07
Group of L.A. artists with mostly Latino roots present funkadelic mixture of songs with political themes; English lyrics are a little predictable but instrumentation is interesting as are incantations in indigenous and African languages; theme is connecting all those people who've been disconnected; pays homage to indigenous roots of Latin culture
NO FCC's; Favorite tracks: 2, 5, 6, 7, 8, 11
1—Espejos vs. The Gaze – 5:11 –begins with prayer in Purepecha; segues to English about not wanting your culture to be seen as objects in a marketplace; musical rant in rock format with synth flourishes
*2—Pillow People – 4:56 – starts with straight ahead Motown-- use of undocumented laborers to satisfy driven needs of western society; pretty singing interweaves dreams of immigrants with political points; catchy and sweet
3—Critical Time – 5:01 – Hammond B3 gives psychedelic vibe; vocal on “critical time” with interesting background instruments with somewhat amorphous message
4—Barrio Healer – 5:56-- Hammond B3 plus Moog give otherworldly sounds backing solo and background vocals
*5 –Olukun y Yemaya –6:16 –nice African rhythms here and melody provided by fiddle plus female vocalist singing of Yoruba deities; segues to Spanish and Latin rhythm
**6 – La Danza de Coyolxauqui—2:47 – wild dance celebrating the story of the Aztec Osiris with taiko!--all instrumental
*7- La Bamba –4:12 – sounds like the Cuban version; fun, and pretty
*8 –Get to Knowing – 6:00-- very danceable with great rhythm and hand claps
9 –Mira! --1:24 – pretty instrumental interlude that builds in intensity just before it ends
10 – Mama Nahual – 5:04-- vocal in Spanish accompanied by electronica and synths; driving rhythm
**11—La Lloroncita—7:55-- tenderly played and sung feminist revisionist version of La Llarona; beautiful guitar picking with organ flourishes and crying fiddle
12 –Ay que no que no –:50 – solo on requinto doble
13—Unbound –3:49 – heavy duty rock with vocals in English; pounding rhythm
14 – Pajaritos—1:33 – instrumental starts off light and pretty with breaths
15 –Cellular Memory—5:42—heavy rock rhythm with fender bass under English vocals
16 –Godo Alfredo--:39-- very unusual sound of instrument called a quijada
17—Toro Ayotzinapa—6:55 – song about the massacre of 43 students in Guererro in 2014; densely textured instrumentally
*18 – La Indita—3:18-- pretty back and forth song in Spanish accompanied only by marimba
NO FCC's; Favorite tracks: 2, 5, 6, 7, 8, 11
1—Espejos vs. The Gaze – 5:11 –begins with prayer in Purepecha; segues to English about not wanting your culture to be seen as objects in a marketplace; musical rant in rock format with synth flourishes
*2—Pillow People – 4:56 – starts with straight ahead Motown-- use of undocumented laborers to satisfy driven needs of western society; pretty singing interweaves dreams of immigrants with political points; catchy and sweet
3—Critical Time – 5:01 – Hammond B3 gives psychedelic vibe; vocal on “critical time” with interesting background instruments with somewhat amorphous message
4—Barrio Healer – 5:56-- Hammond B3 plus Moog give otherworldly sounds backing solo and background vocals
*5 –Olukun y Yemaya –6:16 –nice African rhythms here and melody provided by fiddle plus female vocalist singing of Yoruba deities; segues to Spanish and Latin rhythm
**6 – La Danza de Coyolxauqui—2:47 – wild dance celebrating the story of the Aztec Osiris with taiko!--all instrumental
*7- La Bamba –4:12 – sounds like the Cuban version; fun, and pretty
*8 –Get to Knowing – 6:00-- very danceable with great rhythm and hand claps
9 –Mira! --1:24 – pretty instrumental interlude that builds in intensity just before it ends
10 – Mama Nahual – 5:04-- vocal in Spanish accompanied by electronica and synths; driving rhythm
**11—La Lloroncita—7:55-- tenderly played and sung feminist revisionist version of La Llarona; beautiful guitar picking with organ flourishes and crying fiddle
12 –Ay que no que no –:50 – solo on requinto doble
13—Unbound –3:49 – heavy duty rock with vocals in English; pounding rhythm
14 – Pajaritos—1:33 – instrumental starts off light and pretty with breaths
15 –Cellular Memory—5:42—heavy rock rhythm with fender bass under English vocals
16 –Godo Alfredo--:39-- very unusual sound of instrument called a quijada
17—Toro Ayotzinapa—6:55 – song about the massacre of 43 students in Guererro in 2014; densely textured instrumentally
*18 – La Indita—3:18-- pretty back and forth song in Spanish accompanied only by marimba
Track Listing
1. | Espejos Vs. The Gaze | 10. | Mama Nahual | |||
2. | Pillow People | 11. | La Lloroncita | |||
3. | Critical Time | 12. | Ay Que No Que No | |||
4. | Barrio Healer | 13. | Unbound | |||
5. | Olukun Y Yemaya | 14. | Pajaritos | |||
6. | La Danza De Coyolxauqui | 15. | Cellular Memory | |||
7. | La Bamba | 16. | Godo Alfredo | |||
8. | Get To Knowing | 17. | Toro Ayotzinapa | |||
9. | Mira! | 18. | La Indita |