“Humanhood” The Weather Station
Toronto-based singer-songwriter, Tamara Lindeman, returns with her band’s 7th album. “Humanhood” sees Lindeman evolving from more traditional folk into new horizons that embrace sophistipop as well as elements of jazz, psychedelic and experimental pop, and more. The album was recorded “straight to tape over two improvisational sessions.” Lindeman’s lyrics are insightful and contemplative, tackling topics ranging from the threat of climate change to the “depersonalization” that’s common in today’s world. A compelling listen. RIYL: Cassandra Jenkins, Weyes Blood, Sharon Van Etten, Jenny Gillespie or Joni Mitchell.
— Francis

Recommended: 2, 3, 4, 9, 6, 13. FCC on Track 14.

1. (1:01) Descent — Extended intro that segues directly into “Neon Signs.” Low synth hum, noise, playful flute and occasional piano notes — then rhythm is added that sets the stage for the immersive experience to come.
2. (5:07) Neon Signs — Up-tempo, bouncy sophistipop. Captivating synth, piano, flute and percussion serve as a counterpoint to the biting lyrics about “a world without trust.” Music descends into a cacophony at the end. ****
3. (4:56) Mirror — Hip, ambling jazzy strut. Off-kilter beat, nice bass groove, subtle saxophone, light piano. ****
4. (2:41) Window — Driving, percussion-forward tune. Urgent, with emotive vocals over a pulsing soundscape. ****
5. (0:48) Passage — Jittery electronic noise, like an off-frequency radio.
6. (3:28) Body Moves — Sweet, sentimental ballad. Swelling orchestra, lilting lead vocals and backing harmonies. Skipping rhythm and some noise. Saxophone in the lead break. ***
7. (3:19) Ribbon — A bit sparer at the start. Meandering piano and Lindeman’s wistful vocals. Very reminiscent of Jenny Gillespie.
8. (1:10) Fleuve — ‘River’ in French. Piano and a few simple vocals over the sound of a rushing river.
9. (4:12) Humanhood (Clean Edit) — Exotic, almost tropical rhythm. Jazzy folk rock with piano, skittering drums, a squawking saxophone at times, and Lineman’s bold vocals. Would make Joni Mitchell proud in her heyday. ****
10. (5:37) Irreversible Damage — Jazzy music bed with swirling synths and piano, plus spoken lyrics by a friend of Lindeman’s.
11. (4:36) Lonely — Sad and, well, lonely. A deliberate, heart-tugging ballad.
12. (1:37) Aurora — Ambient set-break with sustained synth chords, flute and occasional piano.
13. (5:59) Sewing — Luxurious, hopeful closer. Simple rhythm and piano, with Lindeman’s comforting vocals floating above. Careful about the false ending after the swelling middle! ***
14. (4:12) Humanhood (Unedited) FCC: shitty — Unedited version of “Humanhood.”