Sewer Goddess / Disciples Of Shit
| Album: | Disciples Of Shit | Collection: | General | |
| Artist: | Sewer Goddess | Added: | Nov 2014 | |
| Label: | Black Plague | |||
A-File Activity
| Add Date: | 2015-05-01 | Pull Date: | 2015-07-03 | Charts: | Classical/Experimental |
|---|
| Week Ending: | Jul 5 | Jun 28 | Jun 21 | Jun 14 | Jun 7 | May 31 |
|---|---|---|---|---|---|---|
| Airplays: | 1 | 2 | 1 | 1 | 2 | 1 |
Recent Airplay
| 1. | Jul 16, 2015: | What was scene?
Condemned Is The Unborn One |
4. | Jun 25, 2015: | channel 0+i
We Ate Their Eyes |
|
| 2. | Jul 02, 2015: | What was scene?
Condemned Is The Unborn One |
5. | Jun 17, 2015: | Brownian Motion
Mother Agony |
|
| 3. | Jun 27, 2015: | What was scene?
Mother Agony, We Ate Their Eyes |
6. | Jun 10, 2015: | Brownian Motion
Condemned Is The Unborn One |
Album Review
jessica rylan
Reviewed 2015-04-29
Reviewed 2015-04-29
Sewer Goddess - Disciples of Shit - Live Waste
Black Plague
Boston-based Sewer Goddess features Kristen Macarthur on vocals and electronics with a varying cast of backing musicians. While frequently booked with noise and power electronics acts, this compilation of live recordings showcases Sewer Goddess’s more heavy ambient/death industrial side.
RIYL: screaming, hopelessness, aktionism
no FCC warning - no comprehensible vocals.
Standouts - 2,4,5.
1. Condemned is the unborn one 8:29 - Cutting bass synths give way to gently oscillating (almost amniotic) bass frequencies, there is a lot of shrieking, and ends with feedback.
2. We ate their Eyes 3:47 - Noisy drones, junk noise, shrieking, and way-overcompressed drums and cymbals. Love this!
3. Mother Agony 7:46 - Heavy beat with a lot of breathing room, flanged vocals, slowly builds then subsides to distorted bass and continued pounding with an electric squeal, until it fades out for no good reason.
4. Chained to the Cage of Existence/A Lifeless Dreaming 16:36 - Very long but so worth it. Keyboards and reverbed-out vocal proclamations give way to feedback coming and going, a lot of tension, and then a glorious shrieking over the skeleton of a doom riff.
5. Slavepiece 7:16 - More blown-out than the other tracks, distorted guitar and howling over plodding drums. It sounds like all the guitar strings are unravelling, though there is some uncharacteristic and unfortunate noodling guitar solos 6 minutes in. Showcases both the best and the worst of this band.
Black Plague
Boston-based Sewer Goddess features Kristen Macarthur on vocals and electronics with a varying cast of backing musicians. While frequently booked with noise and power electronics acts, this compilation of live recordings showcases Sewer Goddess’s more heavy ambient/death industrial side.
RIYL: screaming, hopelessness, aktionism
no FCC warning - no comprehensible vocals.
Standouts - 2,4,5.
1. Condemned is the unborn one 8:29 - Cutting bass synths give way to gently oscillating (almost amniotic) bass frequencies, there is a lot of shrieking, and ends with feedback.
2. We ate their Eyes 3:47 - Noisy drones, junk noise, shrieking, and way-overcompressed drums and cymbals. Love this!
3. Mother Agony 7:46 - Heavy beat with a lot of breathing room, flanged vocals, slowly builds then subsides to distorted bass and continued pounding with an electric squeal, until it fades out for no good reason.
4. Chained to the Cage of Existence/A Lifeless Dreaming 16:36 - Very long but so worth it. Keyboards and reverbed-out vocal proclamations give way to feedback coming and going, a lot of tension, and then a glorious shrieking over the skeleton of a doom riff.
5. Slavepiece 7:16 - More blown-out than the other tracks, distorted guitar and howling over plodding drums. It sounds like all the guitar strings are unravelling, though there is some uncharacteristic and unfortunate noodling guitar solos 6 minutes in. Showcases both the best and the worst of this band.
Track Listing
| 1. | Condemned Is The Unborn One | 4. | Chained To The Edge Of Existence/A Lifeless Dreaming | |||
| 2. | We Ate Their Eyes | 5. | Slavepiece | |||
| 3. | Mother Agony | . |