From Indian Lakes / Everything Feels Better Now
Album: | Everything Feels Better Now | Collection: | General | |
Artist: | From Indian Lakes | Added: | Feb 2017 | |
Label: | Triple Crown Records |
A-File Activity
Add Date: | 2017-02-15 | Pull Date: | 2017-04-19 |
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Week Ending: | Apr 16 | Apr 9 | Apr 2 | Mar 19 | Mar 12 | Mar 5 | Feb 26 | Feb 19 |
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Airplays: | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 1 |
Recent Airplay
1. | Jun 27, 2017: | butterscotch memory
Feel Love |
4. | Apr 07, 2017: | KZSU Time Traveler
Blank Tapes |
|
2. | May 27, 2017: | Reckless Burning
Feel Love |
5. | Apr 01, 2017: | Music Casserole
Come Back |
|
3. | Apr 14, 2017: | KZSU Time Traveler
Blank Tapes |
6. | Mar 31, 2017: | KZSU Time Traveler
Blank Tapes |
Album Review
DJ Aporia
Reviewed 2017-02-16
Reviewed 2017-02-16
Emo with post-rock tendencies. From Yosemite Valley. Glowing, atmospheric, and confessional. Highly recommend also checking out From Indian Lakes’ back catalogue for something more post-hardcore-oriented.
Related: Lydia, Dear and the Headlights, Triple Crown/Run for Cover
1. (3:37) Happy Machines—Wavering electronic intro. Tender emotional rock that steadily gets louder and more driving.
2. (3:39) ** The Monster—Loud, propulsive. Softer acoustic outro.
3. (4:59) *** Blank Tapes—Melancholy, chiming, catchy.
4. (3:34) ** Bare It—Mellow, swirling guitars and dreamy vocals. Goes to a really cool place.
5. (4:37) *** Hello—Haunting plucked guitars and echoey vocals.
6. (3:24) *** Feel Love—Uplifting, great groove.
7. (3:35) * American Dreams—Plodding, with a synth backing and drowsy vocals.
8. (3:35) Nome—Guitar loops and overdone vocals.
9. (3:46) *** Sunlight—Driving beat, chiming guitars, with a shining layer of voice. Super dreamy.
10. (5:28) ** Come Back—Slow, cloudy, with electronic piano loops in the first half. Epic post-rock finish.
11. (3:58) * Lose Myself—Off-kilter, folky guitars and vocals bathed in reverb. Eventually changes to a more glowing post-rock style.
12. (4:01) ** Rid of It—Several hazy vocal layers over distant looped keys. Organ and drum machine close things out.
Related: Lydia, Dear and the Headlights, Triple Crown/Run for Cover
1. (3:37) Happy Machines—Wavering electronic intro. Tender emotional rock that steadily gets louder and more driving.
2. (3:39) ** The Monster—Loud, propulsive. Softer acoustic outro.
3. (4:59) *** Blank Tapes—Melancholy, chiming, catchy.
4. (3:34) ** Bare It—Mellow, swirling guitars and dreamy vocals. Goes to a really cool place.
5. (4:37) *** Hello—Haunting plucked guitars and echoey vocals.
6. (3:24) *** Feel Love—Uplifting, great groove.
7. (3:35) * American Dreams—Plodding, with a synth backing and drowsy vocals.
8. (3:35) Nome—Guitar loops and overdone vocals.
9. (3:46) *** Sunlight—Driving beat, chiming guitars, with a shining layer of voice. Super dreamy.
10. (5:28) ** Come Back—Slow, cloudy, with electronic piano loops in the first half. Epic post-rock finish.
11. (3:58) * Lose Myself—Off-kilter, folky guitars and vocals bathed in reverb. Eventually changes to a more glowing post-rock style.
12. (4:01) ** Rid of It—Several hazy vocal layers over distant looped keys. Organ and drum machine close things out.
Track Listing
1. | Happy Machines | 7. | American Dreams | |||
2. | The Monster | 8. | Nome | |||
3. | Blank Tapes | 9. | Sunlight | |||
4. | Bare It | 10. | Come Back | |||
5. | Hello | 11. | Lose Myself | |||
6. | Feel Love | 12. | Rid Of It |