Black Lips / Satan's Graffiti Or God's Art?
Album: | Satan's Graffiti Or God's Art? | Collection: | General | |
Artist: | Black Lips | Added: | Jul 2017 | |
Label: | Vice Music Inc |
A-File Activity
Add Date: | 2017-08-03 | Pull Date: | 2017-10-05 |
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Week Ending: | Oct 1 | Sep 24 | Sep 17 | Sep 10 | Sep 3 | Aug 27 | Aug 13 | Aug 6 |
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Airplays: | 2 | 2 | 1 | 1 | 2 | 3 | 2 | 1 |
Recent Airplay
1. | Oct 11, 2017: | The Library
Can't Hold On |
4. | Sep 20, 2017: | The Fuzz Deli
Rebel Intuition |
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2. | Sep 30, 2017: | Buford J. Sharkley Presents: As Told to Hervey Okkles
Crystal Night |
5. | Sep 20, 2017: | The Library
Crystal Night |
|
3. | Sep 27, 2017: | The Library
Crystal Night |
6. | Sep 13, 2017: | The Library
Crystal Night |
Album Review
Wallace Brontoon
Reviewed 2017-07-30
Reviewed 2017-07-30
Demented garage legends Black Lips' new record is more messy and chaotic than ever. It's a fucking mess, murky and scattershot, and as a result, their best record in years. Many different sounds throughout the record, only tied together with murk, dissonance, and a bad attitude. Sean Lennon produces, which means we get a Beatles cover and a Yoko Ono guest appearance. Much better than their bland last release.
1. (0:55) *** Short bite, saxophone swoon nighttime mood, "la la la" chant
2. (2:49) ***** Violent opening, galloping rodeo beat with stop-and-start twang with violent demented breakdowns. Screaming, elemental, discordant. Yoko Ono guest-screams, low in mix.
3. (4:52) ***** Fragile Ennio Morricone opening, into thumping anthemic snarl, heads into swamp of heavy block chords, then woozy solos, ends with muted gentle brass-- at … funeral march from across the city.
4. (3:46) * Alt-country simple song with occasional glimmer textures
5. (3:32) *** Honking midnight sax with wonderfully stupid marble-mouthed R&B shouter vox. Monotonous, samey, but wonderful mood.
6. (3:37) ******* Spring fling '50s chirping guitar (a la Shannon + Clams), sweet aching jockish harmonies lovely smarmy hooky innocent, just incredibly sweet and marvelous.
7. (3:00) ** Reverby teenage guitar, simple assertive chant
8. (0:30) ** Short field recording-ish bongo
9. (3:02) **** A real Hootenanny, thigh-slapping high energy ruckus, demented guitar and sax from all over the place, loud.
10. (4:03) **** Discordant '50s/country singalong, earnest and somewhat charmingly unpleasant. Eventually gets sweet ooh-ooh bridge with weird vocoder hijinks
11. (2:47) **** Haze of noodling jazzy instruments, bemoaning lead box just kind of welping over it all for a while
12. (4:19) ***** Heavy primary-color rock guitar, with insistent snarl that leads into heavy distortion, more electrified clipping than just fuzz. Cool sound. Even some trips to a weird woozy circus waltz.
13. (4:14) ***** Drum-machine + cool, understated verse into paranoiac freakout. Excellent mood here, spooky dirge and shooting stars everywhere
14. (3:03) **** Driving drums, disorienting bouncy tornado of guitar
15. (3:30) *** Slow, head bobbing. Cool, monotonous
16. (2:36) **** Beatles cover (It Won't Be Long), now with more wooze and menace.
17. (4:02) *** Dancing dulcimers, sweet appalachian singalong to a "bring it on home to me" rhythm.
18. (1:05) *** A short bookend to track 1. Now with smarmy lounge vox.
1. (0:55) *** Short bite, saxophone swoon nighttime mood, "la la la" chant
2. (2:49) ***** Violent opening, galloping rodeo beat with stop-and-start twang with violent demented breakdowns. Screaming, elemental, discordant. Yoko Ono guest-screams, low in mix.
3. (4:52) ***** Fragile Ennio Morricone opening, into thumping anthemic snarl, heads into swamp of heavy block chords, then woozy solos, ends with muted gentle brass-- at … funeral march from across the city.
4. (3:46) * Alt-country simple song with occasional glimmer textures
5. (3:32) *** Honking midnight sax with wonderfully stupid marble-mouthed R&B shouter vox. Monotonous, samey, but wonderful mood.
6. (3:37) ******* Spring fling '50s chirping guitar (a la Shannon + Clams), sweet aching jockish harmonies lovely smarmy hooky innocent, just incredibly sweet and marvelous.
7. (3:00) ** Reverby teenage guitar, simple assertive chant
8. (0:30) ** Short field recording-ish bongo
9. (3:02) **** A real Hootenanny, thigh-slapping high energy ruckus, demented guitar and sax from all over the place, loud.
10. (4:03) **** Discordant '50s/country singalong, earnest and somewhat charmingly unpleasant. Eventually gets sweet ooh-ooh bridge with weird vocoder hijinks
11. (2:47) **** Haze of noodling jazzy instruments, bemoaning lead box just kind of welping over it all for a while
12. (4:19) ***** Heavy primary-color rock guitar, with insistent snarl that leads into heavy distortion, more electrified clipping than just fuzz. Cool sound. Even some trips to a weird woozy circus waltz.
13. (4:14) ***** Drum-machine + cool, understated verse into paranoiac freakout. Excellent mood here, spooky dirge and shooting stars everywhere
14. (3:03) **** Driving drums, disorienting bouncy tornado of guitar
15. (3:30) *** Slow, head bobbing. Cool, monotonous
16. (2:36) **** Beatles cover (It Won't Be Long), now with more wooze and menace.
17. (4:02) *** Dancing dulcimers, sweet appalachian singalong to a "bring it on home to me" rhythm.
18. (1:05) *** A short bookend to track 1. Now with smarmy lounge vox.
Track Listing
1. | Overture: Sunday Mourning | 10. | Wayne | |||
2. | Occidental Front | 11. | Interlude: E'lektric Spider Webz | |||
3. | Can't Hold On | 12. | We Know | |||
4. | The Last Cul De Sac | 13. | In My Mind There's A Dream | |||
5. | Interlude: Got Me Alone | 14. | Lucid Nightmare | |||
6. | Crystal Night | 15. | Come Ride With Me | |||
7. | Squatting In Heaven | 16. | It Won't Be Long | |||
8. | Interlude: Bongos Baby | 17. | Loser's Lament | |||
9. | Rebel Intuition | 18. | Finale: Sunday Mourning |