El Eco With Guillermo Nojechowicz / Puerto De Buenos Aires 1933
| Album: | Puerto De Buenos Aires 1933 | Collection: | Jazz | |
| Artist: | El Eco With Guillermo Nojechowicz | Added: | Mar 2018 | |
| Label: | Zoho Music | |||
A-File Activity
| Add Date: | 2018-03-26 | Pull Date: | 2018-05-28 | Charts: | Jazz |
|---|
| Week Ending: | May 13 | Apr 29 | Apr 22 | Apr 1 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 1 | 1 |
Recent Airplay
| 1. | May 10, 2018: | Melange
Trains |
3. | Apr 20, 2018: | Old Fart at Play
Puerto De Buenos Aires |
|
| 2. | Apr 28, 2018: | Music Casserole
Puerto De Buenos Aires |
4. | Mar 31, 2018: | Old Fart at Play
Trains |
Album Review
Tom McCarter
Reviewed 2018-03-21
Reviewed 2018-03-21
Reviewed: 2018-03-19
Genre: Jazz
FCCs: none
Review: a personal history told through music, the cd becomes a celebration, letting loose of the monumental rhythms of Latin America through the fire of drums, fanned of course by the rest of the instrumentation, led by the voice, but also memorably enriched by woodwinds and brass; piano, bass and percussion, all of which is fluffed out in the arrangements played out by an exquisite string quartet. All originals except #9
If You Like: Egberto Gismonti, Enrico Rava, Flora Purim, Chick Corea
Track Review (favorites denoted by *):
1/ Milonga Para Los Ninos (6:07) – guitar starts, slow & contemplative with female vocal overlayed> sax solo> slow song> fade
*2/ Trains (8:05) – piano starts> slow jam swings into uptempo song with soaring female vocal> then mellows, then swings back up on piano solo> mellows again on bass solo, then swings back into uptempo song> mellows to fade on vocal
3/ Europe 1933 (6:16) – drums starts in slow marital beat> piano & strings join with female song, slowly builds in intensity & volume> strings jam> bass solo> piano/strings duet with vocal overlay> slow song builds in volume & intensity> quick stop
*4/Puerto De Buenos Aires (9:00) - bass starts> uptempo tango & song with female vocal> piano/scat vocal duet> mellows on piano solo to midtempo jam> swings uptempo> trumpet solo> uptempo jam with female vocal> crescendo end
*5/ Berimbao’s Baby (4:22) – berimbao starts> midtempo jam with female vocal>
piano solo> midtempo song> fade
6/ The Unknown Road (7:55) - piano starts> strong midtempo jam with female vocal> trumpet solo> piano solo> drum/ piano duet> uptempo jam & song> crescendo end
7/ I Loved You Too (9:04) – percussion starts> slow jam slowly builds to midtempo jam & song> mellows to slow jam> & song> sax solo> midtempo jam> piano solo> midtempo jam & song> slow fade
*8/ The Possibility Of Change (5:05) – piano starts> uptempo jam> soaring sax solo> trumpet solo> uptempo jam> piano solo> uptempo jam> quick stop
*9/ Bebe (5:37) – piano starts> midtempo jam> piano solo> uptempo jam> mellows to midtempo with percussion up front> slows to fade
*10/ Friday Night Mambo (6:30) – piano starts> uptempo mambo jam with female vocal> sax solo> trumpet solo> uptempo jam & song> piano solo> uptempo jam & song> quick stop
Genre: Jazz
FCCs: none
Review: a personal history told through music, the cd becomes a celebration, letting loose of the monumental rhythms of Latin America through the fire of drums, fanned of course by the rest of the instrumentation, led by the voice, but also memorably enriched by woodwinds and brass; piano, bass and percussion, all of which is fluffed out in the arrangements played out by an exquisite string quartet. All originals except #9
If You Like: Egberto Gismonti, Enrico Rava, Flora Purim, Chick Corea
Track Review (favorites denoted by *):
1/ Milonga Para Los Ninos (6:07) – guitar starts, slow & contemplative with female vocal overlayed> sax solo> slow song> fade
*2/ Trains (8:05) – piano starts> slow jam swings into uptempo song with soaring female vocal> then mellows, then swings back up on piano solo> mellows again on bass solo, then swings back into uptempo song> mellows to fade on vocal
3/ Europe 1933 (6:16) – drums starts in slow marital beat> piano & strings join with female song, slowly builds in intensity & volume> strings jam> bass solo> piano/strings duet with vocal overlay> slow song builds in volume & intensity> quick stop
*4/Puerto De Buenos Aires (9:00) - bass starts> uptempo tango & song with female vocal> piano/scat vocal duet> mellows on piano solo to midtempo jam> swings uptempo> trumpet solo> uptempo jam with female vocal> crescendo end
*5/ Berimbao’s Baby (4:22) – berimbao starts> midtempo jam with female vocal>
piano solo> midtempo song> fade
6/ The Unknown Road (7:55) - piano starts> strong midtempo jam with female vocal> trumpet solo> piano solo> drum/ piano duet> uptempo jam & song> crescendo end
7/ I Loved You Too (9:04) – percussion starts> slow jam slowly builds to midtempo jam & song> mellows to slow jam> & song> sax solo> midtempo jam> piano solo> midtempo jam & song> slow fade
*8/ The Possibility Of Change (5:05) – piano starts> uptempo jam> soaring sax solo> trumpet solo> uptempo jam> piano solo> uptempo jam> quick stop
*9/ Bebe (5:37) – piano starts> midtempo jam> piano solo> uptempo jam> mellows to midtempo with percussion up front> slows to fade
*10/ Friday Night Mambo (6:30) – piano starts> uptempo mambo jam with female vocal> sax solo> trumpet solo> uptempo jam & song> piano solo> uptempo jam & song> quick stop
Track Listing
| 1. | Milonga Para Los Ninos | 6. | The Unknown Road | |||
| 2. | Trains | 7. | I Loved You Too | |||
| 3. | Europe 1933 | 8. | The Possibility Of Change | |||
| 4. | Puerto De Buenos Aires | 9. | Bebe | |||
| 5. | Berimbao's Baby | 10. | Friday Night Mambo |