Mcdade, Solon / Murals
Album: | Murals | Collection: | Jazz | |
Artist: | Mcdade, Solon | Added: | Jun 2018 | |
Label: | Self Release |
A-File Activity
Add Date: | 2018-07-11 | Pull Date: | 2018-09-12 | Charts: | Jazz |
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Week Ending: | Sep 9 | Aug 19 | Aug 12 | Jul 22 | Jul 15 |
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Airplays: | 1 | 1 | 3 | 1 | 1 |
Recent Airplay
1. | Sep 06, 2018: | No Cover, No Minimum
Buy The Tractor |
4. | Aug 10, 2018: | Old Fart at Play
Buy The Tractor |
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2. | Aug 17, 2018: | Old Fart at Play
Off The Bed, Rose |
5. | Aug 09, 2018: | No Cover, No Minimum
Off The Bed, Rose |
|
3. | Aug 11, 2018: | Music Casserole
Ali's Second Line |
6. | Jul 19, 2018: | No Cover, No Minimum
Do Airplanes Scratch The Sky? |
Album Review
Tom McCarter
Reviewed 2018-07-04
Reviewed 2018-07-04
Reviewed: 2018-07-01
Genre: Jazz
FCCs: none
Review: An inventive sense of composition characterizes this new disc by bassist & composer McDade. He possesses a dramatic sense of structure that is always multi-layered, & constantly shifting in mood and tone. There's a nice balance of virtuosity to please the jazz cats, with a sweeping sense of drama and intriguing momentum to the tracks to hook even a casual listener. Plus the clever track titles! All originals.
If You Like: Lou Donaldson, Chris Potter,
Track Review (favorites denoted by *):
*1/ He’s A Problem In The Locker Room (5:39) – sax starts> midtempo bouncy jam> sax solo> piano solo> drum solo> midtempo jam> crescendo end
*2/ Buy The Tractor (7:47) – sax starts slow & quiet> slow jam builds in volume & intensity> piano solo> sax solo> midtempo jam> quick fade
3/ Do Airplanes Scratch The Sky? (8:39) – horns start> slow jam> bass solo> sax solo soars into uptempo off-kilter jam & drops to slow jam & fade
*4/ Whatever Whatever (5:45) – horns start> uptempo jam> swingind sax solo> piano solo> bass solo> uptempo jam> quick fade
5/ The Ballad Of Sir William Ormerod (9:20) – long piano solo starts slow & quiet> slow jam @ 3:45> sax solo> bass solo> slow jam> quick fade
**6/ Off The Bed, Rose (6:17) – drums/piano start> uptempo jam> swinging sax solo> lightning fast piano solo> rocking uptempo jam> several short solos: sax> drums> bass> piano> crescendo end
7/ Blues For Sebastian (8:40) – solo bass solo starts, builds into midtempo jam> sax solo swings into uptempo jam> slows to midtempo> bass solo> quick fade
*8/ All’s Second Line (5:19) – bass starts> midtempo jam> piano solo> sax solo swings into uptempo jam> crescendo end
9/ A Shorter Thing (7:20) – piano starts> midtempo jam> piano solo> bass solo> sax solo> midtempo jam> slow fade
Genre: Jazz
FCCs: none
Review: An inventive sense of composition characterizes this new disc by bassist & composer McDade. He possesses a dramatic sense of structure that is always multi-layered, & constantly shifting in mood and tone. There's a nice balance of virtuosity to please the jazz cats, with a sweeping sense of drama and intriguing momentum to the tracks to hook even a casual listener. Plus the clever track titles! All originals.
If You Like: Lou Donaldson, Chris Potter,
Track Review (favorites denoted by *):
*1/ He’s A Problem In The Locker Room (5:39) – sax starts> midtempo bouncy jam> sax solo> piano solo> drum solo> midtempo jam> crescendo end
*2/ Buy The Tractor (7:47) – sax starts slow & quiet> slow jam builds in volume & intensity> piano solo> sax solo> midtempo jam> quick fade
3/ Do Airplanes Scratch The Sky? (8:39) – horns start> slow jam> bass solo> sax solo soars into uptempo off-kilter jam & drops to slow jam & fade
*4/ Whatever Whatever (5:45) – horns start> uptempo jam> swingind sax solo> piano solo> bass solo> uptempo jam> quick fade
5/ The Ballad Of Sir William Ormerod (9:20) – long piano solo starts slow & quiet> slow jam @ 3:45> sax solo> bass solo> slow jam> quick fade
**6/ Off The Bed, Rose (6:17) – drums/piano start> uptempo jam> swinging sax solo> lightning fast piano solo> rocking uptempo jam> several short solos: sax> drums> bass> piano> crescendo end
7/ Blues For Sebastian (8:40) – solo bass solo starts, builds into midtempo jam> sax solo swings into uptempo jam> slows to midtempo> bass solo> quick fade
*8/ All’s Second Line (5:19) – bass starts> midtempo jam> piano solo> sax solo swings into uptempo jam> crescendo end
9/ A Shorter Thing (7:20) – piano starts> midtempo jam> piano solo> bass solo> sax solo> midtempo jam> slow fade
Track Listing