A work of undeniably quality, Finn Mortensen’s only symphony (1952-53) looks, Janus-like, forwards and backwards. The low opus number and post-Romantic idiom confirm its early provenance yet, despite its composer’s initial misgivings, it is now the benchmark for all Norwegian symphonies. The symphony is in a free-tonal, neo-classical style.

The Munich Radio Orchestra’s performance allows the symphony’s expansiveness full rein while underlining the holistic nature of its thematic relationships: thus the opposing themes of the opening Allegro Moderato are reconciled (somewhat) in the succeeding Adagio, while the brilliant Allegro Vivace scherzo synthesizes elements, before the final fugue recalls the Allegro Moderato’s second theme in a glorious apotheosis. The 1st mvmt is full of drama, with horns and drums speaking loudly, perhaps about clashing armies. The 2nd mvmt looks out sadly on a deserted battlefield under dark skies. The 3rd mvmt sees the return of civilian life, rebuilding a bit frenetically. The 4th mvmt starts with a race thru countryside underway, followed by vigorous group dancing (expressed fugally) at the race’s end, with brilliant sunshine pervading the last few minutes of music.