Bird, Andrew / My Finest Work Yet
| Album: | My Finest Work Yet | Collection: | General | |
| Artist: | Bird, Andrew | Added: | Apr 2019 | |
| Label: | Loma Vista | |||
A-File Activity
| Add Date: | 2019-04-30 | Pull Date: | 2019-07-02 |
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| Week Ending: | Jun 30 | Jun 23 | Jun 16 | Jun 9 | Jun 2 | May 26 | May 19 | May 12 |
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| Airplays: | 2 | 2 | 2 | 4 | 5 | 1 | 3 | 2 |
Recent Airplay
| 1. | May 22, 2024: | Comes to Mind
Olympians, Sisyphus |
4. | Jan 10, 2020: | KZSU Time Traveler
Sisyphus |
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| 2. | Jun 27, 2021: | The Library (rebroadcast from May 29, 2019)
Sisyphus |
5. | Jan 08, 2020: | THe Library
Sisyphus |
|
| 3. | Jun 11, 2021: | KZSU Time Traveler
Olympians |
6. | Dec 20, 2019: | KZSU Time Traveler
Manifest |
Album Review
Francis D
Reviewed 2019-04-21
Reviewed 2019-04-21
“My Finest Work Yet” Andrew Bird
Andrew Bird is an enigma. Part philosopher. Part storyteller. Virtuoso violinist. One-of-a-kind whistler. On “My Finest Work Yet,” he’s back with his twelfth solo release and what may well be, uh, his finest work yet. It’s simultaneously dark and drily humorous — filled with intelligent ruminations about life’s big philosophical questions. All of this is wrapped in exquisitely produced indie rock — in this case, recorded live in the studio with no overdubs, headphones or separation between performers — with folk or chamber rock leanings at times. Highly recommended!
— Francis
Recommended: 1, 2, 8, 10, 4, 6, 5. No FCCs detected.
1. (4:08) Sisyphus — Soaring and melodic. Thumping, deliberate beat — with rolling tom-toms. Classic Andrew Bird sound, with prominent whistling solos. ****
2. (6:30) Bloodless — Jazzy and breezy. Pleasing piano, with shimmering synth, strings and rich harmonies backing Bird’s lead vocals. Great violin solo. Commentary on today’s political environment, “It’s an uncivil war.” ****
3. (4:00) Olympians — Up-tempo, angsty with driving energy, cello and plucked violin.
4. (3:13) Cracking Codes — Beautiful piano ballad. Uplifting harmonized vocals. Strings and some whistling underneath. ***
5. (4:27) Fallorun — Opens with feedbacks and strange loops. Vaguely Middle Eastern sound. Resolves to pulsing, somewhat noisy rock. ***
6. (4:38) Archipelago — Chamber rock. Flowing strings with pulsing rhythms created with plucked violin and bass, and intriguing lyrics about J. Edgar Hoover and a three-headed monster that swallows Tokyo. ***
7. (4:05) Proxy War — Another rhythm-driven, toe-tapping, slightly jazzy number that builds throughout.
8. (5:17) Manifest — Cinematic, expansive folk-rock reminiscent of some of the best tunes of the 1960s. Leisurely feeling with strummed guitar, violin and whistling. ****
9. (4:31) Don The Struggle — Slow, rigid march-like beat. Bass. Piano. Plucked violin. Shifts to a playful ditty with handclaps. Soaring violin in lead break.
10. (4:27) Bellevue Bridge Club — Sweet and melodic tune — serving as a counterpoint to the disturbing lyrics, which reference playing cards in a psych ward. ***
Andrew Bird is an enigma. Part philosopher. Part storyteller. Virtuoso violinist. One-of-a-kind whistler. On “My Finest Work Yet,” he’s back with his twelfth solo release and what may well be, uh, his finest work yet. It’s simultaneously dark and drily humorous — filled with intelligent ruminations about life’s big philosophical questions. All of this is wrapped in exquisitely produced indie rock — in this case, recorded live in the studio with no overdubs, headphones or separation between performers — with folk or chamber rock leanings at times. Highly recommended!
— Francis
Recommended: 1, 2, 8, 10, 4, 6, 5. No FCCs detected.
1. (4:08) Sisyphus — Soaring and melodic. Thumping, deliberate beat — with rolling tom-toms. Classic Andrew Bird sound, with prominent whistling solos. ****
2. (6:30) Bloodless — Jazzy and breezy. Pleasing piano, with shimmering synth, strings and rich harmonies backing Bird’s lead vocals. Great violin solo. Commentary on today’s political environment, “It’s an uncivil war.” ****
3. (4:00) Olympians — Up-tempo, angsty with driving energy, cello and plucked violin.
4. (3:13) Cracking Codes — Beautiful piano ballad. Uplifting harmonized vocals. Strings and some whistling underneath. ***
5. (4:27) Fallorun — Opens with feedbacks and strange loops. Vaguely Middle Eastern sound. Resolves to pulsing, somewhat noisy rock. ***
6. (4:38) Archipelago — Chamber rock. Flowing strings with pulsing rhythms created with plucked violin and bass, and intriguing lyrics about J. Edgar Hoover and a three-headed monster that swallows Tokyo. ***
7. (4:05) Proxy War — Another rhythm-driven, toe-tapping, slightly jazzy number that builds throughout.
8. (5:17) Manifest — Cinematic, expansive folk-rock reminiscent of some of the best tunes of the 1960s. Leisurely feeling with strummed guitar, violin and whistling. ****
9. (4:31) Don The Struggle — Slow, rigid march-like beat. Bass. Piano. Plucked violin. Shifts to a playful ditty with handclaps. Soaring violin in lead break.
10. (4:27) Bellevue Bridge Club — Sweet and melodic tune — serving as a counterpoint to the disturbing lyrics, which reference playing cards in a psych ward. ***
Track Listing
| 1. | Sisyphus | 6. | Archipelago | |||
| 2. | Bloodless | 7. | Proxy War | |||
| 3. | Olympians | 8. | Manifest | |||
| 4. | Cracking Codes | 9. | Don The Struggle | |||
| 5. | Fallorun | 10. | Bellevue Bridge Club |