Braxton, Anthony / Six Compositions (Gtm) 2001
Album: | Six Compositions (Gtm) 2001 | Collection: | Jazz | |
Artist: | Braxton, Anthony | Added: | Aug 2002 | |
Label: | Rastascan Records |
A-File Activity
Add Date: | 2002-11-04 | Pull Date: | 2003-01-06 | Charts: | Jazz |
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Week Ending: | Jan 12 | Jan 5 | Dec 29 | Dec 15 | Dec 1 | Nov 24 | Nov 10 |
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Airplays: | 1 | 1 | 1 | 1 | 2 | 1 | 2 |
Recent Airplay
1. | Dec 16, 2012: | jazz is and den some
Composition No. 286 (Tentet) |
4. | Dec 05, 2003: | Memory Select
Composition No. 289 (Quartet) [excerpt], Composition No. 286 (Tentet) [excerpt] |
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2. | Jun 03, 2010: | Memory Select
Composition No. 287 (Quintet) [excerpt] |
5. | Jan 05, 2003: | "In Your Ear..." Recording For the KZSU Application Due Thursday at 8pm Sharp!
Composition No. 278 (Trio) |
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3. | Jan 09, 2009: | Memory Select
Composition No. 286 (Tentet) [still going!], Composition No. 286 (Tentet) |
6. | Jan 03, 2003: | Memory Select
Composition No. 286 (Tentet) [disk 2 track 2] |
Album Review
Craig Matsumoto
Reviewed 2002-11-11
Reviewed 2002-11-11
Colossal 4-CD set of Anthony Braxton works, as performed by ensembles of mostly Bay Area folks. Each composition is long; one of them takes up the first TWO discs!
This is Braxton's recent "ghost trance" music, made up of strict, strident beats like a drunk happy marching band. It's not as repetitive as it sounds at first, and the players are allowed some free-jazz soloing to add some variety. The music has a bright, playful sound -- it's nothing like, say, Phillip Glass' ominous droning. And John Shiurba adds squealy guitar to some tracks for a noisy, non-academic sound.
Tracks do have a particular organization and logic, so to excerpt a track, it's best to just start at the beginning so you catch the "head" followed by soloing.
DISK 1:
1* - Insistant stomping beat with pre-written "stumbles" for some unpredictability
2* - Gentler, with weird warbly singing
DISK 2:
1- March-like segments juxtaposed with free swirling
2*- Returns to the pulsing theme, then speeds up dramatically
DISK 3:
1- Boisterous, then long floaty improv
2**- Slinky Egyptian feel. Nice scattery piano toward the end.
DISK 4:
1*- Playfully sparse. Small curled bursts.
2- Slow stagger
3*- Fast pecking.
This is Braxton's recent "ghost trance" music, made up of strict, strident beats like a drunk happy marching band. It's not as repetitive as it sounds at first, and the players are allowed some free-jazz soloing to add some variety. The music has a bright, playful sound -- it's nothing like, say, Phillip Glass' ominous droning. And John Shiurba adds squealy guitar to some tracks for a noisy, non-academic sound.
Tracks do have a particular organization and logic, so to excerpt a track, it's best to just start at the beginning so you catch the "head" followed by soloing.
DISK 1:
1* - Insistant stomping beat with pre-written "stumbles" for some unpredictability
2* - Gentler, with weird warbly singing
DISK 2:
1- March-like segments juxtaposed with free swirling
2*- Returns to the pulsing theme, then speeds up dramatically
DISK 3:
1- Boisterous, then long floaty improv
2**- Slinky Egyptian feel. Nice scattery piano toward the end.
DISK 4:
1*- Playfully sparse. Small curled bursts.
2- Slow stagger
3*- Fast pecking.
Track Listing