Golia, Vinny / Feeding Frenzy
| Album: | Feeding Frenzy | Collection: | Jazz | |
| Artist: | Golia, Vinny | Added: | Jan 2003 | |
| Label: | Nine Winds | |||
A-File Activity
| Add Date: | 2003-01-27 | Pull Date: | 2003-03-31 | Charts: | Jazz |
|---|
| Week Ending: | Mar 23 | Mar 16 | Mar 9 | Feb 23 | Feb 9 |
|---|---|---|---|---|---|
| Airplays: | 2 | 1 | 1 | 2 | 2 |
Recent Airplay
| 1. | Sep 04, 2009: | Memory Select
Bare-Handed Cricket Catch |
4. | Mar 21, 2003: | Memory Select
Title Sequence |
|
| 2. | Mar 09, 2006: | Rock in a Position
Oil for the Burning Fires |
5. | Mar 19, 2003: | Umami Jazz Program
Title Sequence |
|
| 3. | May 21, 2004: | "No Cover, No Minimum In Your Ear..." subbing for Fo
Oil for the Burning Fires, Bare-Handed Cricket Catch |
6. | Mar 13, 2003: | The Digital/Analog War
Oil for the Burning Fires |
Album Review
Craig Matsumoto
Reviewed 2003-03-02
Reviewed 2003-03-02
A quartet of strings (violin, violin, cello, bass) plus Golia on flute/clarinet, in pieces bordering between classical music and Golia's home base of free jazz.
Don't expect Bach or Brahms here -- modern elements abound, such as improvised segments and just-plain-weird compositions. There's lots of jazz-like soloing even from the strings (see #1), and Golia and the strings do lots of "extended" technique, the squeaky/squawky sounds you hear on free improv sessions.
Nice stuff, more uptempo and free-jazzy than you'd expect looking at the cover (which is very black and cerebral-looking).
1*- Spritely midtempo
2*- Slow, with lots of exciting exteneded play on flutes
3- Abstract; gets fast and swoopy
4- Slow and melancholy
5*- Disjoint chaos, w/ smooth cello/bass duet
6- Slower, with flute
7- Fast, sweeping
8*- Stern, strong; some wild soloing
9- Fast, exciting, with cool bass clarinet.
10- Abrasive, buzzy, noisy. cool!
Don't expect Bach or Brahms here -- modern elements abound, such as improvised segments and just-plain-weird compositions. There's lots of jazz-like soloing even from the strings (see #1), and Golia and the strings do lots of "extended" technique, the squeaky/squawky sounds you hear on free improv sessions.
Nice stuff, more uptempo and free-jazzy than you'd expect looking at the cover (which is very black and cerebral-looking).
1*- Spritely midtempo
2*- Slow, with lots of exciting exteneded play on flutes
3- Abstract; gets fast and swoopy
4- Slow and melancholy
5*- Disjoint chaos, w/ smooth cello/bass duet
6- Slower, with flute
7- Fast, sweeping
8*- Stern, strong; some wild soloing
9- Fast, exciting, with cool bass clarinet.
10- Abrasive, buzzy, noisy. cool!
Track Listing