Deletist, the / Deletist, the
Album: | Deletist, the | Collection: | General | |
Artist: | Deletist, the | Added: | Jun 2003 | |
Label: | Entarte Kunst |
A-File Activity
Add Date: | 2003-09-15 | Pull Date: | 2003-11-17 | Charts: | Electronic, Classical/Experimental |
---|
Week Ending: | Nov 9 | Nov 2 | Oct 26 | Oct 19 | Oct 12 | Oct 5 | Sep 28 | Sep 21 |
---|---|---|---|---|---|---|---|---|
Airplays: | 1 | 1 | 1 | 2 | 4 | 3 | 2 | 3 |
Recent Airplay
1. | Apr 14, 2009: | Indie Flavored Kool-Aid
Vas Differens |
4. | Feb 04, 2004: | Stirling's Approximation
Americans Eye Aeroplanes |
|
2. | May 30, 2005: | Stirling's Approximation
A Clearcut |
5. | Jan 21, 2004: | Stirling's Approximation
Americans Eye Aeroplanes |
|
3. | Jun 09, 2004: | Stirling's Approximation
A Clearcut |
6. | Dec 19, 2003: | The sound of One hand clapping
A Clearcut, T.W.A.T. |
Album Review
johnn
Reviewed 2003-09-15
Reviewed 2003-09-15
GREAT!!! Member of the SF art collective Entartete Kunst, the Deletist is a one woman project featuring dark, very well-orchestrated electronic gems often over political lyrics. At times, songs are beat driven, catchy and aggressive, like Crack WAR. At other times, the use of organ arpeggios and Bach textures for epic-effect reminds me of Orbital. Moody, gloomy, but a lot of fun to listen to.
1, 2, 11, 13, 5, 3.
1. chanting about war lust over dark, fuzzed out organ melody & beat
2. nice melodic bassline w/ atmospheric keyboard patterns a la orbital
3. sustained keyboard harmonies w/ synth xylophone motifs, cheesy at first but quite nice when hi-hat rhythms and voice come in
4. starts w/ keyboard arpeggios, gets thicker, synth cello melody.
5. light midtempo beat, great interludes of strings. tense, dark, epic.
6. beat driven, dancy, deep synth bowed bass. catchy.
7. FCC, but great chanting voice over confrontational bass line
8. fuzzed-out keys w/ some glitch. dark like a bach organ fantasy.
9. great glitchy beat. whispering voice. hypnotic, repetitive.
10. starts with spacious start-stop beat, soft organ chords. last half sweet and song-like, with a beautiful breathy voice like mum.
11. harpsichord intro, post-punk bassline, the cure’s a forest.
12. deep wahs, squishy sounds, dreamy and dark like #2.
13. starts drony, then becomes relatively upbeat and playful. great!
1, 2, 11, 13, 5, 3.
1. chanting about war lust over dark, fuzzed out organ melody & beat
2. nice melodic bassline w/ atmospheric keyboard patterns a la orbital
3. sustained keyboard harmonies w/ synth xylophone motifs, cheesy at first but quite nice when hi-hat rhythms and voice come in
4. starts w/ keyboard arpeggios, gets thicker, synth cello melody.
5. light midtempo beat, great interludes of strings. tense, dark, epic.
6. beat driven, dancy, deep synth bowed bass. catchy.
7. FCC, but great chanting voice over confrontational bass line
8. fuzzed-out keys w/ some glitch. dark like a bach organ fantasy.
9. great glitchy beat. whispering voice. hypnotic, repetitive.
10. starts with spacious start-stop beat, soft organ chords. last half sweet and song-like, with a beautiful breathy voice like mum.
11. harpsichord intro, post-punk bassline, the cure’s a forest.
12. deep wahs, squishy sounds, dreamy and dark like #2.
13. starts drony, then becomes relatively upbeat and playful. great!
Track Listing
1. | T.W.A.T. | 7. | Even Score | |||
2. | Vas Differens | 8. | I Owe | |||
3. | Indiana | 9. | Idols Condemn | |||
4. | Sans Toi | 10. | The Lure of War and Boredom | |||
5. | Undertow | 11. | A Clearcut | |||
6. | Americans Eye Aeroplanes | 12. | Gray Submarine |