Abstractions, the / Ars Vivende
Album: | Ars Vivende | Collection: | General | |
Artist: | Abstractions, the | Added: | Nov 2003 | |
Label: | Edgetone Records |
A-File Activity
Add Date: | 2004-03-22 | Pull Date: | 2004-05-24 | Charts: | Classical/Experimental |
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Week Ending: | Apr 11 | Apr 4 | Mar 28 |
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Airplays: | 1 | 1 | 1 |
Recent Airplay
1. | May 27, 2009: | Brownian Motion
Rain of Bullets |
3. | Apr 02, 2004: | Memory Select
Your Eyes Taste Like Steel |
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2. | Apr 07, 2004: | Brownian Motion
Your Eyes Taste Like Steel |
4. | Mar 24, 2004: | Stirling's Approximation
But not for Me |
Album Review
Guest DJ Account
Reviewed 2004-02-04
Reviewed 2004-02-04
Really disturbing, frequently difficult to listen to. A combo of anarchic jazz and creepy noise. Male vocals alternate between dead and psychotic. The understated rumblings of some tracks are at times more unsettling than the twisted chaos of others. The fact that these guys are local makes me want to buy stronger locks for my door. Lyrics are clean, although the music will still traumatize small children.
Try:
4. Jazz like 100 cars crashing into splinters all at once, plus muffled tortured screams (there is a LOT of screaming on this album).
5. Grinding, repetitive noise like the heartbeat of a psychopath. The screaming gives way near the end to gross retching sounds.
8. Sadistic carnival organ grinder meets opera singer deranged by syphilis. Together they torture Bat Boy with electric bone saws. It continues long after the voices go quiet.
10. Unintentionally funny post-apocalyptic spoken word poem.
12. Female vocals intoned over strange swooping string and guitar.
17. Gershwin lyrics dully muttered over a funereal, plodding march. Zombie jazz.
21. Dreamy, trippy, gently rhythmic; a peaceful riposte to the stomach-turning excitement that characterizes the album.
- riana 2/4/04
Try:
4. Jazz like 100 cars crashing into splinters all at once, plus muffled tortured screams (there is a LOT of screaming on this album).
5. Grinding, repetitive noise like the heartbeat of a psychopath. The screaming gives way near the end to gross retching sounds.
8. Sadistic carnival organ grinder meets opera singer deranged by syphilis. Together they torture Bat Boy with electric bone saws. It continues long after the voices go quiet.
10. Unintentionally funny post-apocalyptic spoken word poem.
12. Female vocals intoned over strange swooping string and guitar.
17. Gershwin lyrics dully muttered over a funereal, plodding march. Zombie jazz.
21. Dreamy, trippy, gently rhythmic; a peaceful riposte to the stomach-turning excitement that characterizes the album.
- riana 2/4/04
Track Listing