Dunmall, Paul/Moshka Big Band / I Wish You Peace
Album: | I Wish You Peace | Collection: | Jazz | |
Artist: | Dunmall, Paul/Moshka Big Band | Added: | Nov 2004 | |
Label: | Cuneiform Records |
A-File Activity
Add Date: | 2004-11-22 | Pull Date: | 2005-01-24 | Charts: | Jazz |
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Week Ending: | Jan 23 | Jan 9 | Dec 19 | Dec 12 |
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Airplays: | 1 | 1 | 1 | 1 |
Recent Airplay
1. | Jan 21, 2005: | Memory Select
Part Three |
3. | Dec 17, 2004: | Memory Select
Part One |
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2. | Jan 05, 2005: | Rainy Wednesday a.m.
Part Two |
4. | Dec 09, 2004: | Umami Jazz Program
Part One |
Album Review
Craig Matsumoto
Reviewed 2004-11-18
Reviewed 2004-11-18
Modern big band with free-wheeling solos. The composing is very much rooted in jazz, topped with spirited free-jazz solos (most of track 1) or segments of untethered improvisation (middle of track 2). Big, exciting stuff. Lots of familiar Brit-improv names here including Keith Tippett on piano. Three compositions here between 13 and 21 minutes each.
1- Big dramatic charts with some crazy sax soloing.
..... Starts quiet, like there's something brewing, then builds to a frenzy. I think Dunmall is the only soloist, and the entire piece is a backdrop to his solo, gradually intensifying to a searing finale.
2- Friendly, with a feel closer to small-group jazz.
..... Gets as furious as #1 but with a less intense composition behind it. First half is calm, with group burbling that moves into a nearly conventional post-bop segment. Exciting duet/trio groupings adorn the second half, before the group enters for a jazzy interlude and a big (sudden) finish.
3- The craziest of the three, but the first half is quiet.
..... Opens with a mysterious, scrabbly violin solo (although no violin is mentioned in the credits -- could it be bass?) Then a big, lumbering group segment that builds. Last five minutes are explosive.
1- Big dramatic charts with some crazy sax soloing.
..... Starts quiet, like there's something brewing, then builds to a frenzy. I think Dunmall is the only soloist, and the entire piece is a backdrop to his solo, gradually intensifying to a searing finale.
2- Friendly, with a feel closer to small-group jazz.
..... Gets as furious as #1 but with a less intense composition behind it. First half is calm, with group burbling that moves into a nearly conventional post-bop segment. Exciting duet/trio groupings adorn the second half, before the group enters for a jazzy interlude and a big (sudden) finish.
3- The craziest of the three, but the first half is quiet.
..... Opens with a mysterious, scrabbly violin solo (although no violin is mentioned in the credits -- could it be bass?) Then a big, lumbering group segment that builds. Last five minutes are explosive.
Track Listing
1. | Part One | 2. | Part Two | |||
3. | Part Three |