Andrews, Michael / Me And You And Everyone We Know
Album: | Me And You And Everyone We Know | Collection: | General | |
Artist: | Andrews, Michael | Added: | Aug 2005 | |
Label: | Everloving, Inc. |
A-File Activity
Add Date: | 2005-09-11 | Pull Date: | 2005-11-13 |
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Week Ending: | Nov 13 | Oct 30 | Oct 23 | Oct 16 | Oct 9 | Oct 2 | Sep 25 |
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Airplays: | 1 | 1 | 1 | 2 | 1 | 1 | 1 |
Recent Airplay
1. | Dec 08, 2021: | National Treasure (rebroadcast from Dec 4, 2017)
Socks On Ears |
4. | Sep 02, 2008: | Streams, Highways, and Electrical Grids
Mirror, Any Way That You Want Me (Spiritualized) |
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2. | Dec 04, 2017: | National Treasure
Socks On Ears |
5. | Aug 14, 2007: | Lost and Found
When I Call A Name |
|
3. | Apr 16, 2010: | The Blue Velvet Show (Sub for MC Dizzy Jackson)
5 On A Joyride (Cody Chesnutt) |
6. | Jul 08, 2006: | What's in the Ice Box?
I'm Not Following You |
Album Review
Ragnar of Ravensfjord
Reviewed 2005-09-05
Reviewed 2005-09-05
This is the soundtrack to Miranda July’s new movie of the same name. The movie is about how people try to connect with one another in this isolating & warped world. This is ethereal & ambient mellow electronics. It’s mostly nice stuff. You can easily hear how each piece is punctuates a film scene.
((((1)))) Strange but nice spoken intro by Miranda July (she does both of the voices). Very life-affirming & to the point. Surrounded by gorgeous ethereal guitar.
(((2))) Slow, floating electro-minimal ambience the 2nd part is more repetitive and varied.
((((3)))) Ambient for ‘lil babies? Super-sparse tones,
((4)) Odd, harmonics, almost newage.
((((5)))) Distorted, repetitive and with a nice slight drone.
((6)) Keyboard-laden singer-songwriter pop, at best = Randy Newman/Squeeze at worst = Lenny Kravitz?
((((7)))) Glowing, repetitive electronics, with breathy female, lyric-less vocals. Odd but nice.
(((8))) Little ambient “woobs”, and “woos” harkens back to track #2’s theme.
(((9))) Piano, bowed guitar (?) making some interesting sounds.
((((10)))) Upbeat, piano/electronic drum/voice mix. Sort of Laurie Anderson-like
((11)) Minimal piano piece.
(((12))) Moves back to the vocals of track 10 but with a louder beat and catchy piano chord or two.
(((13))) Slow, hazy psych-folk/quasi-soul. Catchy but not that captivating.
((14)) Super-minimal, percussive electronic tones.
(((15))) Birds, church bells, piano, solo female vocal track doing variants of “na-na-na”.
(((16))) Space-age bachelor pad action. Silly but fun. Could use a better beat though.
((((1)))) Strange but nice spoken intro by Miranda July (she does both of the voices). Very life-affirming & to the point. Surrounded by gorgeous ethereal guitar.
(((2))) Slow, floating electro-minimal ambience the 2nd part is more repetitive and varied.
((((3)))) Ambient for ‘lil babies? Super-sparse tones,
((4)) Odd, harmonics, almost newage.
((((5)))) Distorted, repetitive and with a nice slight drone.
((6)) Keyboard-laden singer-songwriter pop, at best = Randy Newman/Squeeze at worst = Lenny Kravitz?
((((7)))) Glowing, repetitive electronics, with breathy female, lyric-less vocals. Odd but nice.
(((8))) Little ambient “woobs”, and “woos” harkens back to track #2’s theme.
(((9))) Piano, bowed guitar (?) making some interesting sounds.
((((10)))) Upbeat, piano/electronic drum/voice mix. Sort of Laurie Anderson-like
((11)) Minimal piano piece.
(((12))) Moves back to the vocals of track 10 but with a louder beat and catchy piano chord or two.
(((13))) Slow, hazy psych-folk/quasi-soul. Catchy but not that captivating.
((14)) Super-minimal, percussive electronic tones.
(((15))) Birds, church bells, piano, solo female vocal track doing variants of “na-na-na”.
(((16))) Space-age bachelor pad action. Silly but fun. Could use a better beat though.
Track Listing