Liebig, Steuart/The Mentones / Nowhere Calling
Album: | Nowhere Calling | Collection: | Jazz | |
Artist: | Liebig, Steuart/The Mentones | Added: | Jun 2006 | |
Label: | PfMENTUM |
A-File Activity
Add Date: | 2006-07-02 | Pull Date: | 2006-09-03 | Charts: | Jazz |
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Week Ending: | Sep 3 | Aug 20 | Aug 6 | Jul 30 | Jul 16 | Jul 9 |
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Airplays: | 2 | 1 | 1 | 1 | 2 | 3 |
Recent Airplay
1. | May 13, 2010: | Memory Select
Iodine Cream |
4. | Aug 18, 2006: | Memory Select
Chatterbox |
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2. | Sep 01, 2006: | Memory Select
The Single-Double Two-Step |
5. | Aug 04, 2006: | Memory Select
Way High Lonesome |
|
3. | Aug 29, 2006: | Umami Jazz Program
Manchild Hustle |
6. | Jul 28, 2006: | Memory Select
Manchild Hustle |
Album Review
Craig Matsumoto
Reviewed 2006-06-28
Reviewed 2006-06-28
Bar-band rock crossed with twisty prog/jazz writing. Deliciously blazing and bluesy, even.
Definite rock energy here; a particular treat is the harmonica, played in a hybrid of blues and free jazz to give the session that dusty backroads-bar sound. Strong beats, mid/fast tempos, loud rock blaring (even though it's sax and harmonica leading the melody), twisty odd time signatures, and some wild-ass solos (1,12). Liebig fuzzes out his bass for some guitar-hero antics here and there. Loads of instrumental fun; play it all. FCC clean.
1- Mid/fast with some crazy harmonica; 6/8 time
2- Rockin' bass intro, into driving midtempo rock
3- Rolling, *very* vaguely Indian feel under boppin' sax. Mid/fast.
4- Funky but in odd time (10/8?), kinda prog/blues/rock. Cool!
5- Fast; tricky pinpoint dancing feel. Still rocks, though.
6- Slow, spare, disjoint
7- Slowish, w/blazing gut-punching sax solo
8- Halting, Eastern-meditation feel, in a brash way
9- Slowish country loping
10- Mid/fast, very strong beat
11- Midtempo "crime jazz," fun and bouncy
12- Strong bluesy feel, mid/fast and loud, *crazy* soloing
13- Short free-jazzy statement, energetic
Definite rock energy here; a particular treat is the harmonica, played in a hybrid of blues and free jazz to give the session that dusty backroads-bar sound. Strong beats, mid/fast tempos, loud rock blaring (even though it's sax and harmonica leading the melody), twisty odd time signatures, and some wild-ass solos (1,12). Liebig fuzzes out his bass for some guitar-hero antics here and there. Loads of instrumental fun; play it all. FCC clean.
1- Mid/fast with some crazy harmonica; 6/8 time
2- Rockin' bass intro, into driving midtempo rock
3- Rolling, *very* vaguely Indian feel under boppin' sax. Mid/fast.
4- Funky but in odd time (10/8?), kinda prog/blues/rock. Cool!
5- Fast; tricky pinpoint dancing feel. Still rocks, though.
6- Slow, spare, disjoint
7- Slowish, w/blazing gut-punching sax solo
8- Halting, Eastern-meditation feel, in a brash way
9- Slowish country loping
10- Mid/fast, very strong beat
11- Midtempo "crime jazz," fun and bouncy
12- Strong bluesy feel, mid/fast and loud, *crazy* soloing
13- Short free-jazzy statement, energetic
Track Listing
1. | Manchild Hustle | 7. | Rocking Chair | |||
2. | Chatterbox | 8. | Back Seat, White Cadillac | |||
3. | Way High Lonesome | 9. | Angel City Dust | |||
4. | Double Blade Axe | 10. | Hardcase | |||
5. | The Single-Double Two-Step | 11. | Daisy Man | |||
6. | Coal | 12. | Iodine Cream | |||
13. | Rooster Rocket |