Sullender, Uncle Woody & Davis, Kevin / Tempest Is Over, The
Album: | Tempest Is Over, The | Collection: | General | |
Artist: | Sullender, Uncle Woody & Davis, Kevin | Added: | Jan 2007 | |
Label: | Dead Ceo |
A-File Activity
Add Date: | 2007-04-01 | Pull Date: | 2007-06-03 | Charts: | Classical/Experimental |
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Week Ending: | Apr 22 | Apr 15 | Apr 8 |
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Airplays: | 1 | 1 | 1 |
Recent Airplay
1. | Jun 22, 2010: | Jena & Gomorrah
I Can See Humility |
3. | Apr 12, 2007: | Cognitive Overload
Below The Smith And Wesson Line |
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2. | Apr 18, 2007: | Eran Mukamel (MCCFMK)
Strata Collide |
4. | Apr 04, 2007: | Bowel Cleansing Orgy
Knocking Dust |
Album Review
Lawrence Of A Labia
Reviewed 2007-03-22
Reviewed 2007-03-22
Avant-garde banjo and cello. FCC clean. Over-generalizing, but:
Difficult: 1,2,3,7
Quieter and moody: 4,5,6
1-7:00) Fast and busy! Banjo hovers over one repeated note. Cello arcos. Second half has lots of plucking from both players. Quiet end.
*2- Very busy, buzzing. Discordant and difficult. -4:40 quiets down, but remains intense. Picks up the speed and volume again. At -1:10 gets quiet again till end.
3-5:19) Slow classical start. Banjo nervously picks away while cello makes broad, full strokes. Silence at -2:30. Quiet thru -1:50. Next banjo picks it up with fast circuitous picking, with long, lyric cello lines. Ends quiet.
*4-4:01) Avant jazzy intro, with cello making like plucked double bass. Banjo is in flutter mode till -2:30, slow down. They play together nicely to end. Ends quiet.
5-7:44) They open on harmonics. A reflective, peaceful, sparse affair through til -3:00. cello gets a little whiny and banjo gets faster builds to -1:30, then repeats intro to the end.
*6-4:41) VERY quiet throughout. Almost all skitterish, faint banjo. -1:41 the cello starts to enter. A mood piece.
*7-7:14) Starts full on, with lots of tension. Busy, scratching, and swarming. Last 30 sec. slows down for quiet end.
Difficult: 1,2,3,7
Quieter and moody: 4,5,6
1-7:00) Fast and busy! Banjo hovers over one repeated note. Cello arcos. Second half has lots of plucking from both players. Quiet end.
*2- Very busy, buzzing. Discordant and difficult. -4:40 quiets down, but remains intense. Picks up the speed and volume again. At -1:10 gets quiet again till end.
3-5:19) Slow classical start. Banjo nervously picks away while cello makes broad, full strokes. Silence at -2:30. Quiet thru -1:50. Next banjo picks it up with fast circuitous picking, with long, lyric cello lines. Ends quiet.
*4-4:01) Avant jazzy intro, with cello making like plucked double bass. Banjo is in flutter mode till -2:30, slow down. They play together nicely to end. Ends quiet.
5-7:44) They open on harmonics. A reflective, peaceful, sparse affair through til -3:00. cello gets a little whiny and banjo gets faster builds to -1:30, then repeats intro to the end.
*6-4:41) VERY quiet throughout. Almost all skitterish, faint banjo. -1:41 the cello starts to enter. A mood piece.
*7-7:14) Starts full on, with lots of tension. Busy, scratching, and swarming. Last 30 sec. slows down for quiet end.
Track Listing
1. | Strata Collide | 4. | City Avenues | |||
2. | Below The Smith And Wesson Line | 5. | I Can See Humility | |||
3. | He Danced His Did | 6. | A Tunnel, Imposed | |||
7. | Knocking Dust |