Miyumi Project, The / Re:Rooted
Album: | Re:Rooted | Collection: | Jazz | |
Artist: | Miyumi Project, The | Added: | Mar 2007 | |
Label: | Southport Records |
A-File Activity
Add Date: | 2007-03-04 | Pull Date: | 2007-05-06 | Charts: | Jazz |
---|
Week Ending: | May 6 | Apr 15 | Mar 25 | Mar 18 | Mar 11 |
---|---|---|---|---|---|
Airplays: | 1 | 1 | 3 | 1 | 3 |
Recent Airplay
1. | Dec 10, 2011: | Music Casserole
Episode Three |
4. | Oct 17, 2007: | public noize racket
Episode One |
|
2. | Feb 26, 2011: | Music Casserole
Episode Three |
5. | Oct 03, 2007: | public noize racket
Gate |
|
3. | Dec 05, 2007: | public noize racket
Gate |
6. | May 04, 2007: | Memory Select
Gate |
Album Review
Fo
Reviewed 2007-03-04
Reviewed 2007-03-04
THE MIYUMI PROJECT – “Re:ROOTED”
Southport/Asian Improv, 2006
WORLD/AVANT – Composer/bassist Tatsu Aoki and reedist Mwata Bowden continue to explore the intersection of traditional Japanese music and experimental jazz they mapped out in 2001’s Rooted. A trio of winds + violin blow loosely over Japanese taiko drums, alternately feeding the rhythms and breaking them apart. The ensemble creates music as optimistic as a village festival or as ritualized and mysterious as Kabuki, simultaneously ancient and postmodern.
All tracks are interesting. Fo’s Picks: 1, 3, 6
1. 15:46 – slow drum intro, then an upbeat, loping stroll. A mix of “outside” and bluesy solos from the various winds, cool violin solo.
2. 08:02 – very quiet bass intro, develops into a low improvisational sneak
3. 05:25 – loose-limbed fun with bells & shouts; grooving w/some free breaks
4. 06:47 – very traditional Japanese sound, like a village procession
5. 17:21 – abrasive droning intro, bass solo, then a slinky melody and some nice bluesy solos, sometimes drifting “out” and back in
6. 18:46 – stark, steady drumming & sharp flute, sounds like accompaniment to traditional Japanese theatre. In second half, drums speed up and saxes build onto the rhythm for a modern, urban edge.
[ Fo ] 4-Mar-07
Southport/Asian Improv, 2006
WORLD/AVANT – Composer/bassist Tatsu Aoki and reedist Mwata Bowden continue to explore the intersection of traditional Japanese music and experimental jazz they mapped out in 2001’s Rooted. A trio of winds + violin blow loosely over Japanese taiko drums, alternately feeding the rhythms and breaking them apart. The ensemble creates music as optimistic as a village festival or as ritualized and mysterious as Kabuki, simultaneously ancient and postmodern.
All tracks are interesting. Fo’s Picks: 1, 3, 6
1. 15:46 – slow drum intro, then an upbeat, loping stroll. A mix of “outside” and bluesy solos from the various winds, cool violin solo.
2. 08:02 – very quiet bass intro, develops into a low improvisational sneak
3. 05:25 – loose-limbed fun with bells & shouts; grooving w/some free breaks
4. 06:47 – very traditional Japanese sound, like a village procession
5. 17:21 – abrasive droning intro, bass solo, then a slinky melody and some nice bluesy solos, sometimes drifting “out” and back in
6. 18:46 – stark, steady drumming & sharp flute, sounds like accompaniment to traditional Japanese theatre. In second half, drums speed up and saxes build onto the rhythm for a modern, urban edge.
[ Fo ] 4-Mar-07
Track Listing
1. | Episode One | 4. | Shadow To Shadow And Beyond | |||
2. | Episode Two | 5. | Lacquer | |||
3. | Episode Three | 6. | Gate |