Fundamental Sound / Mirror Of Time
Album: | Mirror Of Time | Collection: | Reggae | |
Artist: | Fundamental Sound | Added: | May 2007 | |
Label: | Weaving Libra Records |
A-File Activity
Add Date: | 2007-06-10 | Pull Date: | 2007-08-12 | Charts: | Reggae/World |
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Week Ending: | Aug 12 | Aug 5 | Jul 29 | Jul 22 | Jul 15 | Jul 8 | Jul 1 | Jun 24 |
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Airplays: | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 |
Recent Airplay
1. | Dec 21, 2015: | Happy Hour
You'll Stay |
4. | Feb 21, 2013: | Happy Hour
The Zenith, A Million Times Before |
|
2. | Nov 11, 2013: | Happy Hour (Coverin' for PACC)
You'll Stay |
5. | Jun 01, 2012: | Sunshine . . . in the Afternoon
My Day's Begun |
|
3. | Jul 29, 2013: | Happy Hour
You'll Stay |
6. | Feb 20, 2012: | Happy Hour
The Root |
Album Review
Sadie O.
Reviewed 2007-06-04
Reviewed 2007-06-04
Fundamental Sound – Mirror of Time
Reviewed by Sadie O., 5/30/07
Dub/Reggae/electronica/sound collage/jazz all done by one guy named Miles Rogers, with a female guest singer on two tracks. Some very nice beats, but sometimes I wish he’d done just instrumentals. The first 13 tracks (except interludes) are roots reggae at their basis, the last 5 are a bit jazzy, not reggae.
No FCCs that I heard. 6 and 15 are best, IMO.
1. *starts with whispers and electronic burbles – quite soft. Builds and recedes – bits of horn… beat starts a minute along. Downtempo one-drop with individual instruments, mellow.
2. Beeps – first heartbeat rhythm, then very fast, with processed vocals.
3. **midtempo skank with bits of spoken vocals repeated.
4. ***midtempo skank with rather robotic spoken word at intro. Nice juicy dub.
5. **pretty female vocals, downtempo dub skank.
6. ****simple one-drop intro, processed male vocals. Beat comes in after 30 seconds, wicked electronic midtempo dub. Sick!
7. 15 seconds of heavily processed female speaking.
8. **uptempo skank dub, but mellow and groovy, with lots of happy-sounding guitar.
9. **roots bubble with keyboard and bass – sweet and nice.
10. ***great midtempo bubble with bloopy bass noises. Female vocals – I kinda wish it was an instrumental, actually.
11. ***midtempo skank with melodica. Everyone does dub with melodica, and the infuriating thing is that it still sounds good.
12. **midtempo skank with male vocals in harmony. Much jauntier riddim than the lyrics would indicate.
13. ***midtempo skank – some fun keyboard sounds and dubby bits.
14. 9 seconds of overprocessed speech.
15. ****funky but laid-back midtempo strut – lots of interesting noises, lyrics seem to be a take-off on “Cisco Kid”.
16. *mellow and jazzy pianos and midtempo beat (not reggae), relaxed vocals.
17. ***cool downtempo riddim with slightly processed speech – I think this is Agnew’s “effect intellectual snobs” speech. LONG fade.
18. *extremely downtempo jazzy bounce with chimes and bass.
19. *random electronica, gradually forming into a hyperspeed something…. I’m pretty sure there were a lot of German groups doing this sort of thing back when I was dropping acid…
Reviewed by Sadie O., 5/30/07
Dub/Reggae/electronica/sound collage/jazz all done by one guy named Miles Rogers, with a female guest singer on two tracks. Some very nice beats, but sometimes I wish he’d done just instrumentals. The first 13 tracks (except interludes) are roots reggae at their basis, the last 5 are a bit jazzy, not reggae.
No FCCs that I heard. 6 and 15 are best, IMO.
1. *starts with whispers and electronic burbles – quite soft. Builds and recedes – bits of horn… beat starts a minute along. Downtempo one-drop with individual instruments, mellow.
2. Beeps – first heartbeat rhythm, then very fast, with processed vocals.
3. **midtempo skank with bits of spoken vocals repeated.
4. ***midtempo skank with rather robotic spoken word at intro. Nice juicy dub.
5. **pretty female vocals, downtempo dub skank.
6. ****simple one-drop intro, processed male vocals. Beat comes in after 30 seconds, wicked electronic midtempo dub. Sick!
7. 15 seconds of heavily processed female speaking.
8. **uptempo skank dub, but mellow and groovy, with lots of happy-sounding guitar.
9. **roots bubble with keyboard and bass – sweet and nice.
10. ***great midtempo bubble with bloopy bass noises. Female vocals – I kinda wish it was an instrumental, actually.
11. ***midtempo skank with melodica. Everyone does dub with melodica, and the infuriating thing is that it still sounds good.
12. **midtempo skank with male vocals in harmony. Much jauntier riddim than the lyrics would indicate.
13. ***midtempo skank – some fun keyboard sounds and dubby bits.
14. 9 seconds of overprocessed speech.
15. ****funky but laid-back midtempo strut – lots of interesting noises, lyrics seem to be a take-off on “Cisco Kid”.
16. *mellow and jazzy pianos and midtempo beat (not reggae), relaxed vocals.
17. ***cool downtempo riddim with slightly processed speech – I think this is Agnew’s “effect intellectual snobs” speech. LONG fade.
18. *extremely downtempo jazzy bounce with chimes and bass.
19. *random electronica, gradually forming into a hyperspeed something…. I’m pretty sure there were a lot of German groups doing this sort of thing back when I was dropping acid…
Track Listing
1. | Today Is The Limit | 10. | All In Your Head | |||
2. | Interlude A | 11. | Kmb | |||
3. | Cocaine | 12. | A Million Times Before | |||
4. | The Root | 13. | Mirror Of Time | |||
5. | You'll Stay | 14. | Interlude C | |||
6. | Wicked System | 15. | West Los Kid | |||
7. | Interlude B | 16. | In Rewind | |||
8. | Shalowmar | 17. | The Zenith | |||
9. | Shine On Me | 18. | My Day's Begun | |||
19. | Tornada Vin |