Max Courvoisier / Someday This Will All Be Yours
| Album: | Someday This Will All Be Yours | Collection: | General | |
| Artist: | Max Courvoisier | Added: | Jul 2007 | |
| Label: | Self-Release | |||
A-File Activity
| Add Date: | 2007-07-22 | Pull Date: | 2007-09-23 | Charts: | Electronic |
|---|
| Week Ending: | Sep 23 | Sep 16 | Sep 9 | Sep 2 | Aug 26 | Aug 19 | Aug 12 | Aug 5 |
|---|---|---|---|---|---|---|---|---|
| Airplays: | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 3 |
Recent Airplay
| 1. | Sep 18, 2007: | 408's Finest
Hispanic Mandarin |
4. | Sep 04, 2007: | 408's Finest
Chrome Elevator |
|
| 2. | Sep 11, 2007: | 408's Finest
Hispanic Mandarin |
5. | Aug 28, 2007: | 408s Finest
Hispanic Mandarin |
|
| 3. | Sep 06, 2007: | Emphysema For Emphasis
Calamari |
6. | Aug 23, 2007: | Emphysema For Emphasis
New Psychic |
Album Review
Lawrence Of A Labia
Reviewed 2007-07-10
Reviewed 2007-07-10
Creative beats hip-hoppy, dubby, and experimental. No super fancy equipment, but lots of fun samples.
A sick deranged mood runs throughout, taking in familiar sounds and vomiting out lurid, 2 six packs and the room is spinning kinda feeling.
Tracks 6-9 are unadvisable in a traditional music sense. FCC clean. Picks 1,2,3,5,4,10
**1-(2:22) Primitive slow dubby hip-hop beat. Knocks. Last 10 sec. non-beat.
*2-(3:10) First 40 sec. is weird vox. Weird take on slow west-coast g-funk beat made for $1 plastic KMart imitation Nate Doggs to croon over on acid.
*3-(4:46) 50s flying saucer/g-funk synth, 70s conga sounds. Dusty, draggy, tight snare roll. -1:20 beat changes into chimey nighttime beat. Fadeout.
4-(3:41) Exotica percussion samples, brushed snare, with very crude synth melody and chords. Retirement communities kung fu fighting on codeine.
5-(1:00) Not a beat. Xperimental sample sounds mashed and cheap synth intentionally out of tune. Demented.
6-(3:51) Minor. Closer to late 90s underground hip hop beat. Fadeout.
7-(3:04) Very slow. Lots of asian exotica samples. Synth. Sparse and very reverby.
8-(2:44) Lots of cheese. Elec. guitar lick, flute. A mess.
9-(2:49) Chipmunk vox sample. Shuffley. Late 90s underground hip hop. Long fadeout.
*10-(3:40) Sample of crying. Nice samples of overlapping altered voices and spoken clips.
A sick deranged mood runs throughout, taking in familiar sounds and vomiting out lurid, 2 six packs and the room is spinning kinda feeling.
Tracks 6-9 are unadvisable in a traditional music sense. FCC clean. Picks 1,2,3,5,4,10
**1-(2:22) Primitive slow dubby hip-hop beat. Knocks. Last 10 sec. non-beat.
*2-(3:10) First 40 sec. is weird vox. Weird take on slow west-coast g-funk beat made for $1 plastic KMart imitation Nate Doggs to croon over on acid.
*3-(4:46) 50s flying saucer/g-funk synth, 70s conga sounds. Dusty, draggy, tight snare roll. -1:20 beat changes into chimey nighttime beat. Fadeout.
4-(3:41) Exotica percussion samples, brushed snare, with very crude synth melody and chords. Retirement communities kung fu fighting on codeine.
5-(1:00) Not a beat. Xperimental sample sounds mashed and cheap synth intentionally out of tune. Demented.
6-(3:51) Minor. Closer to late 90s underground hip hop beat. Fadeout.
7-(3:04) Very slow. Lots of asian exotica samples. Synth. Sparse and very reverby.
8-(2:44) Lots of cheese. Elec. guitar lick, flute. A mess.
9-(2:49) Chipmunk vox sample. Shuffley. Late 90s underground hip hop. Long fadeout.
*10-(3:40) Sample of crying. Nice samples of overlapping altered voices and spoken clips.
Track Listing
| 1. | Enter Cavern | 6. | Death Legacy | |||
| 2. | New Psychic | 7. | Pho Dub | |||
| 3. | Calamari | 8. | Chrome Elevator | |||
| 4. | In The Grand Marquis | 9. | Hispanic Mandarin | |||
| 5. | Formica Intermission | 10. | The Reception Station |