Ali, Rashied Quintet / Judgment Day, Vol. 2
Album: | Judgment Day, Vol. 2 | Collection: | Jazz | |
Artist: | Ali, Rashied Quintet | Added: | Aug 2007 | |
Label: | Survival Records |
A-File Activity
Add Date: | 2007-10-07 | Pull Date: | 2007-12-09 | Charts: | Jazz |
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Week Ending: | Nov 25 | Nov 18 | Nov 11 | Nov 4 | Oct 14 |
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Airplays: | 1 | 2 | 2 | 1 | 1 |
Recent Airplay
1. | Feb 21, 2013: | No Cover, No Minimum
Judgment Day |
4. | Nov 09, 2007: | No Cover, No Minimum
Thing For Joe |
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2. | Aug 14, 2009: | No Cover, No Minimum
Thing For Joe |
5. | Nov 07, 2007: | ЕЯАИ МЦЖАМЕГ (stuff)
Judgment Day |
|
3. | Nov 23, 2007: | Music to Shove "Black Friday" Shoppers By
Yesterday (J-Man) Tomorrow |
6. | Nov 02, 2007: | No Cover, No Minimum
Thing For Joe |
Album Review
Fo
Reviewed 2007-10-03
Reviewed 2007-10-03
RASHIED ALI QUINTET: Judgment Day, Vol. 2
Survival, 2007
SEARING POSTBOP – A very strong but relatively straightforward session for drummer Ali, best known for his work on John Coltrane’s last recordings and usually thought of as a free-jazz guy. This sounds to me like the kind of burning session you might have heard in the 1970s, with a heavy-hitting attack and vaguely spiritual vibe. The recording itself is a bit hazy, but the band’s energy cuts right through.
Try if you like: McCoy Tyner, Woody Shaw, Elvin Jones
Fo’s Picks: 3, 4, 5, 7
1. 7:09 – uptempo burner, hot solos for everybody: trumpet, piano, drums nice
2. 9:50 – standard ballad: surges like ocean waves, then chugs along
3. 8:03 – uptempo, furious; drums all over it, hot trumpet & sax, dense piano
4. 8:20 – catchy theme, soaring solos push & stretch, riding on skittery drums
5. 6:09 – relaxed, angular groove: fast, snaky sax solo
6. 7:40 – slow, standard ballad: loose & informal jam sound, gentle solos
7. 5:28 – speedy rush: twisty sax & trumpet solos, rolling drums
8. 6:42 – oddly mixed: slow jumbled surge alternates with a little latin groove
[ Fo ] 3-Oct-07
Survival, 2007
SEARING POSTBOP – A very strong but relatively straightforward session for drummer Ali, best known for his work on John Coltrane’s last recordings and usually thought of as a free-jazz guy. This sounds to me like the kind of burning session you might have heard in the 1970s, with a heavy-hitting attack and vaguely spiritual vibe. The recording itself is a bit hazy, but the band’s energy cuts right through.
Try if you like: McCoy Tyner, Woody Shaw, Elvin Jones
Fo’s Picks: 3, 4, 5, 7
1. 7:09 – uptempo burner, hot solos for everybody: trumpet, piano, drums nice
2. 9:50 – standard ballad: surges like ocean waves, then chugs along
3. 8:03 – uptempo, furious; drums all over it, hot trumpet & sax, dense piano
4. 8:20 – catchy theme, soaring solos push & stretch, riding on skittery drums
5. 6:09 – relaxed, angular groove: fast, snaky sax solo
6. 7:40 – slow, standard ballad: loose & informal jam sound, gentle solos
7. 5:28 – speedy rush: twisty sax & trumpet solos, rolling drums
8. 6:42 – oddly mixed: slow jumbled surge alternates with a little latin groove
[ Fo ] 3-Oct-07
Track Listing
1. | Skane's Refrain | 5. | Flight #643 | |||
2. | Lush Life | 6. | Round Midnite | |||
3. | Thing For Joe | 7. | Yesterday (J-Man) Tomorrow | |||
4. | Judgment Day | 8. | Multi-Culti |