Romus, Rent / Lords Of Outland / You Can Sleep When You're Dead
Album: | You Can Sleep When You're Dead | Collection: | Jazz | |
Artist: | Romus, Rent / Lords Of Outland | Added: | Feb 2008 | |
Label: | Edgetone Records |
A-File Activity
Add Date: | 2008-03-23 | Pull Date: | 2008-05-25 | Charts: | Jazz |
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Week Ending: | May 25 | May 4 | Apr 6 |
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Airplays: | 1 | 1 | 1 |
Recent Airplay
1. | Oct 27, 2009: | Memory Select
Gasburger Sheep Slaughter House |
4. | May 23, 2008: | Memory Select
Gasburger Sheep Slaughter House |
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2. | Jun 26, 2009: | Memory Select
Gasburger Sheep Slaughter House |
5. | May 02, 2008: | Memory Select
Do-Gooders Can Run But They Can't Hide |
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3. | Sep 12, 2008: | Memory Select
Do-Gooders Can Run But They Can't Hide |
6. | Apr 04, 2008: | Memory Select
How To Be A Good Citizen In 3 Easy Steps |
Album Review
Craig Matsumoto
Reviewed 2008-03-16
Reviewed 2008-03-16
Dark and electronics-laden free jazz that brings a new ominous meaning to the "Lords" name. This is the latest incarnation of Romus' free jazz band, taking a noisier and more experimental turn.
For this kind of stuff packed in a hyper, crazed, Naked City kind of package, see The Abstractions.
Rent Romus -- sax, voice, accordion
CJ Borosque -- no-input analog fx pedals
Philip Evertt -- drums, autoharp, electronics
Ray Schaeffer -- bass (6 string fretless electric)
1- Intense pounding drums over probling, slow sax. Cooldown ending.
2- Tumult: A fairly fast, noisy outpouring; calms down but stays noisy
3- Crazy ominous echoing of sax and el.bass, opens with a cartoony cackling voice
4- Glitchy sax-less piece featuring accordion(!) in foreboding long tones and fast scribbly whistles.
5- Casual sauntering sax under dark electronics; some near-verbal voice babble
6- Flying sax scribbles, a building of clutter. Less dense than other tracks but still quite noisy.
7- Industrial noisy falling-apart clamor. Careening sax echoes.
8- Ominous chimes all glitched up. Toneful two-sax melody (Romus playing both saxes at once), dark.
9- Hissy electronic glitches, calm sax. Hovering.
For this kind of stuff packed in a hyper, crazed, Naked City kind of package, see The Abstractions.
Rent Romus -- sax, voice, accordion
CJ Borosque -- no-input analog fx pedals
Philip Evertt -- drums, autoharp, electronics
Ray Schaeffer -- bass (6 string fretless electric)
1- Intense pounding drums over probling, slow sax. Cooldown ending.
2- Tumult: A fairly fast, noisy outpouring; calms down but stays noisy
3- Crazy ominous echoing of sax and el.bass, opens with a cartoony cackling voice
4- Glitchy sax-less piece featuring accordion(!) in foreboding long tones and fast scribbly whistles.
5- Casual sauntering sax under dark electronics; some near-verbal voice babble
6- Flying sax scribbles, a building of clutter. Less dense than other tracks but still quite noisy.
7- Industrial noisy falling-apart clamor. Careening sax echoes.
8- Ominous chimes all glitched up. Toneful two-sax melody (Romus playing both saxes at once), dark.
9- Hissy electronic glitches, calm sax. Hovering.
Track Listing