Free jazz improvisations with some bits of Eastern motifs and a quilted, flowing style with lots of harp and the twang of a lap steel guitar, along with sax, various exotic reeds, and bass and drums. The result goes beyond a simple "free jazz" description, incorporating some psych elements, some trancelike experimenting, and occasional traces of jazz or even country/western tunefulness.

See also: Andy Haas and Don Fiorino, "Death Don't Have No Mercy."

Rhythmic, inside - 1, 2, 4, 6
Out there - 5, 7!, 9
Interesting free jamming w/Eastern touches-- 8,9

Andy Haas -- sax, raita, morsing, electronics
Don Fiorino -- lotar, lap steel guitar
Mia Theodoratus -- electric harp
Matt Heyner -- bass, erhu
David Gould -- drums, percussion
Dee Pop -- drums, percussion

1- Psych drone, elements of spaghetti Western. Ends up in a smoky jazz place.
2- A happy picnic/festival feel
3- Floating feel, with dense drums. Abstract but nice.
4- Booking, rhythmic little jamming, a vaguely exotic feel to a straight groove. By -7:30, dissolves into a free but still driven improv with fast burbling sax.
5- Mystic sounds over twanging steel guitar.
6- Pretty, calm, serene. Almost a lite jazz air.
7- Chaotic, springy improv. Harp with distortion. An open feel; tumbling pebbles.
8- The most mystical/Eastern sounding of the tracks, starting with a quiet but disquieting meditation on a reed instrument, building up to a stormy, heavy improvisation.
9- Busy yet subdued. Opens with soft yet eerie quasi-mystical airs. Gets tougher and turns into a spirited flow for the last few minutes.
10- Electric harp distortion! vs. a pleasant sax melody. Builds into a scribbly free-jazz segment, then winds down contentedly.