modern classical, acoustic guitar, sometimes with a few other instruments, trained voice. Most tracks radio-friendly lengths.

+1. solo guitar, mid-fast. Minor key(?) 5 (2+3)(?) time signature. This is where angular post-rock comes from.
2-4.Baritone voice sings Frost poems with vibrato. 2 is mostly string ensemble backing. +3 is mostly guitar backing at start, ensemble in middle. 4.More challenging music.
5.Solo guitar, lots of pizzicato tone rows, dissonant intervals, some harmonics. Quiet end
+6.Soft-jazz sounds on guitar, mideavel folk sounding soprano voice.
7-9.Harp & mandolin join the guitar. +7 twisty, rather quiet +8.”nice” twisted up with “wrong” 9.Lots of notes and modulations, semi-annoying
10-13 Song cycle with baritone & guitar. +10. M voices saying art-critique words, then singing/speaking along with the pizzicato guitar. Easy to ridicule but good enough that it gets engaging by halfway, even if it does sound pretentious. 11.Lost love song, like from a college musical production. +12.Lilting ¾ guitar while we hear how George is depressed and afraid, and then the time signature changes (nearly imperceptibly) 13.George’s story continues but now it’s business and not daydreaming, more confrontational than prior track. Nice alliteration near end.
14.Scary synth, overly dramatic piece.
15,16 are children’s poem’s set to grown-ups music. Kinda fun to hear.
+17-19. Violin & viola join guitar to play piece Hungarian composer Jemnitz wrote a few years b4 ww2. 17. gradually builds agitation 18.milder, like a sad gypsy’s tired wail, melodic end. 19. Fast, pizzicato guitar & short strokes on the bowed instruments, then it plays in circles, then it builds back like voices in alarm.