Tsigoti / Privatepovertyspeasktothepeopleoftheparty
| Album: | Privatepovertyspeasktothepeopleoftheparty | Collection: | General | |
| Artist: | Tsigoti | Added: | Jan 2010 | |
| Label: | Esp-Disk' | |||
A-File Activity
| Add Date: | 2010-04-11 | Pull Date: | 2010-06-13 |
|---|
| Week Ending: | May 30 | May 16 | Apr 25 | Apr 18 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 1 | 3 |
Recent Airplay
| 1. | May 29, 2010: | Music Casserole
Dust To People To Ashes |
4. | Apr 17, 2010: | lost and found
Dust To People To Ashes |
|
| 2. | May 13, 2010: | Morning Glory (sittin' in for JC's Epiphany of Sound)
The Sickofwar Traine |
5. | Apr 14, 2010: | Brownian Motion
This Is A Simplified Response... |
|
| 3. | Apr 18, 2010: | The DJ Never Has It
The Sickofwar Traine |
6. | Apr 13, 2010: | The Scramble
Everything Is Easy |
Album Review
Adam Pearson
Reviewed 2010-04-11
Reviewed 2010-04-11
Kind of punky, blues-based, avant, weirdo cabaret indie rock in the vein of Gogol Bordello at times, but more experimental. Protest music, angry, no-wave influence, sax and accordion thrown in there. Not too dissimilar from some of the Slusaj material we receive. A little bit Paper Chase, a little bit Man Man. Not my favorite, but decent artistic merit here.
1. People talking drowned out. Washes of neo-klezmer-isms, repetitive bass and drums. (2:56)
2. Beat up piano chords, gruff, repetitive vocals, blues structure, nightmarish piano solo. (2:51)
3. 2/4 punk instrumental. Brief, fast, not very pretty. (1:02)
4. Piano/drum/bass syncopation, kind of droney, politically charged vocals. (1:55)
5. Abrasive, dirty guitar playing with ringing pianos, repetitive vocal line, doubled vocals, saxophone squalls and solo are a bit out of place. (2:17)
*6. Rhythmic groove, driving bass/piano, actually reminds me of Remain in Light-era Talking Heads, horror piano, sloppy drums with chanting vocals in the second half. (3:49)
7. FCC: shit. Kind of repetitive rhythm. If you do play it, cue it. (3:30)
*8. Atmospheric, creepy, slow, dissonant piano, skittery drums and uneasy guitar muted textures. (3:55)
9. Casio horns, atonal wandering, dissonance, structureless/improv instrumental along a loose rhythm. (2:18)
10. Accordion-leading intro, shifts a couple times to a more Dead Kennedys-lite punk thing, then back to an awkward gypsy jaunt. (2:46)
11. Martin Luther King quoting, bizarre thing, piano, upbeat. (2:32)
*12. Instrumental. Slow, a little bit classical, but off-tune and off-time. Drums and dissonant guitar chords. (3:14)
13. Horror punk groove, kind of fun and toe-tapping, again I hear Dead Kennedys-lite with a beat-up piano. (1:40)
14. Very directly anti-military, political, sarcastic, spoken word along simple, low guitar picking. (2:45)
15. Melodic ballad opening with warm near-tunefulness, drums never settle on a normal pattern, guitar stabbing and fast tremelo picking, another political song. (4:24)
16. Punk-middling, fast power chords and dark piano hammering and melodicism. (2:27)
1. People talking drowned out. Washes of neo-klezmer-isms, repetitive bass and drums. (2:56)
2. Beat up piano chords, gruff, repetitive vocals, blues structure, nightmarish piano solo. (2:51)
3. 2/4 punk instrumental. Brief, fast, not very pretty. (1:02)
4. Piano/drum/bass syncopation, kind of droney, politically charged vocals. (1:55)
5. Abrasive, dirty guitar playing with ringing pianos, repetitive vocal line, doubled vocals, saxophone squalls and solo are a bit out of place. (2:17)
*6. Rhythmic groove, driving bass/piano, actually reminds me of Remain in Light-era Talking Heads, horror piano, sloppy drums with chanting vocals in the second half. (3:49)
7. FCC: shit. Kind of repetitive rhythm. If you do play it, cue it. (3:30)
*8. Atmospheric, creepy, slow, dissonant piano, skittery drums and uneasy guitar muted textures. (3:55)
9. Casio horns, atonal wandering, dissonance, structureless/improv instrumental along a loose rhythm. (2:18)
10. Accordion-leading intro, shifts a couple times to a more Dead Kennedys-lite punk thing, then back to an awkward gypsy jaunt. (2:46)
11. Martin Luther King quoting, bizarre thing, piano, upbeat. (2:32)
*12. Instrumental. Slow, a little bit classical, but off-tune and off-time. Drums and dissonant guitar chords. (3:14)
13. Horror punk groove, kind of fun and toe-tapping, again I hear Dead Kennedys-lite with a beat-up piano. (1:40)
14. Very directly anti-military, political, sarcastic, spoken word along simple, low guitar picking. (2:45)
15. Melodic ballad opening with warm near-tunefulness, drums never settle on a normal pattern, guitar stabbing and fast tremelo picking, another political song. (4:24)
16. Punk-middling, fast power chords and dark piano hammering and melodicism. (2:27)
Track Listing